In Chapter 4, I discuss the idea of Weltliteratur and argue that it was one of the most successful tools through which Europe negotiated with and made sense of the colonial history of the literary sovereign. Though mostly associated with Goethe, its clearest outlines were available through a combination of Kant’s Critique of the Power of Judgment (1790) and Anthropology from a Pragmatic Point of View (1798). Weltliteratur, I argue, is the culmination of a set of ideas Kant introduced to account for the peculiar nature of the power of judgment or taste – that such judgments cannot have any a priori or universal principles and yet claim universality. Whether framed as the beautiful or the sublime, he suggested, such claims remained contingent, relying on a communal consensus that could have been established only according to anthropological principles. Kantian aesthetics is “impure” as it always and already relies on something external to it, that cannot be made sense of within the borders set by aesthetic judgment itself. Similarly, Weltliteratur was a combination of aesthetic and anthropological principles, advocating a form of comparative judgment replicating the Kantian model.