Exorcists and Their Mythological Template

Telling stories about Daoists and immortals is a significant part of Chinese popular religious culture. Daoist hagiography has a very long and distinguished history, closely linked to the development of the cult of these immortals and deceased priests. Stories about them found in clerical literature were adapted in all sorts of media and genres, written and oral, and thereby became part and parcel of shared popular culture.

This essay deals with one specific type of stories: the lives of fashi 法師, that is, ritualists specialized in exorcistic traditions generically called daofa 道法—I call them fashi priests (they were and are typically married homedwellers rather than monastics). The daofa imply very close collaboration between the priest and violent, fearsome martial deities, many of them generals (tianjiang 天將) and marshals (yuanshuai 元帥) in the Thunder administration; a large part of the daofa (including those I will discuss below) is known as Thunder rites (leifa 雷法). They appear and develop from around the tenth century onwards and by the twelfth century have become fully integrated in mainstream Daoism. They are not a separate school within Daoism; nonetheless, the exorcistic rites themselves remain distinctive in their style and underlying theology.

Because of this distinctiveness, stories about great fashi priests follow a specific narrative logic.