D
Published online by Cambridge University Press: 30 September 2021
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge Stravinsky Encyclopedia , pp. 132 - 145Publisher: Cambridge University PressPrint publication year: 2021
References
Debussy, Claude, Correspondance 1884–1918, ed. Lesure, François (Paris: Hermann, 1993).Google Scholar
Joseph, Charles N., Stravinsky’s Ballets (New Haven and London: Yale University Press, 2011).Google Scholar
Guillot, Nicolas: ‘Roger Désormière (1898–1963)’: https://sites.google.com/site/rogerdesormiere18981963.Google Scholar
Meyer, Denise and Souvtchinsky, Pierre (eds.), Roger Désormière et son temps: textes en hommage (Monaco: Éditions du Rocher, 1966).Google Scholar
Jordan, Stephanie, ‘Divertimento from Le Baiser de la fée: ghost stories’, Dance Chronicle, 29.1 (2006), 1–16.Google Scholar
Griffiths, Graham, Stravinsky’s Piano: Genesis of a Musical Language (Cambridge University Press, 2013).Google Scholar
Joseph, Charles M., Stravinsky’s Ballets (New Haven and London: Yale University Press, 2011).Google Scholar
Pople, Anthony, ‘Early Stravinsky’, in Cross, Jonathan (ed.), The Cambridge Companion to Stravinsky (Cambridge University Press, 2003), 58–78.Google Scholar
Routh, Francis, The Master Musicians: Stravinsky (London: J. M. Dent and Sons Ltd, 1975).Google Scholar
Vlad, Roman, Stravinsky, trans. Frederick and Ann Fuller (New York: Oxford University Press, 1967).Google Scholar
Griffiths, Graham, Stravinsky’s Piano: Genesis of a Musical Language (Cambridge University Press, 2013).Google Scholar
Dushkin, Samuel, ‘Working with Stravinsky’, in Corle, Edwin (ed.), A Merle Armitage Book: Igor Stravinsky (New York: Duell Sloan & Pearce, 1949), 179–92.Google Scholar