Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t7czq Total loading time: 0 Render date: 2024-11-26T07:18:23.173Z Has data issue: false hasContentIssue false

B

Published online by Cambridge University Press:  30 September 2021

Edward Campbell
Affiliation:
University of Aberdeen
Peter O'Hagan
Affiliation:
Roehampton University, London
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Cantoni, Angelo, La référence à Bach dans les œuvres néo-classiques de Stravinsky (Hildesheim: Georg Olms, 1998).Google Scholar
Hensler, Ute, ‘Strawinsky, Igor’, in Das Bach-Lexicon (Lilienthal: Laaber Verlag, 2000).Google Scholar
Bespalova, Elena, Bakst v Parizhe (‘Bakst in Paris’) (Moscow: Buksmart, 2016).Google Scholar
Bowlt, John E., Khudozhniki russkogo teatra 1880–1930: Sobranie Nikity i Niny Lobanovykh-Rostovskikh (‘Artists of the Russian Theatre 1880–1930: The Collection of Nikita and Nina Lobanov-Rostovsky’) (Moscow: Iskusstvo, 1991).Google Scholar
Golynets, Sergey, Lev Bakst (Moscow: Izobrazitel’noe iskusstvo, 1992).Google Scholar
Kochno, Boris, Diaghilev et les Ballets Russes (Paris: Fayard, 1973).Google Scholar
Jordan, Stephanie, Moving Music: Dialogues with Music in Twentieth-Century Ballet (London: Dance Books, 2000).Google Scholar
Jordan, Stephanie, Stravinsky Dances: Re-visions Across a Century (Alton, Hampshire: Dance Books, 2007).Google Scholar
Joseph, Charles M., Stravinsky and Balanchine: A Journey of Invention (New Haven and London: Yale University Press, 2002).Google Scholar
Jordan, Stephanie, Stravinsky Dances: Re-visions Across a Century (Alton, Hampshire: Dance Books Ltd, 2007).Google Scholar
Joseph, Charles M., Stravinsky’s Ballets (New Haven and London: Yale University Press, 2011).Google Scholar
Joseph, Charles M., Stravinsky & Balanchine: A Journey of Invention (New Haven and London: Yale University Press, 2002).Google Scholar
Joseph, Charles M., Stravinsky Inside Out (New Haven and London: Yale University Press, 2001).Google Scholar
Joseph, Charles M., Stravinsky’s Ballets (New Haven and London: Yale University Press, 2011).Google Scholar
Depaulis, Jacques, Ida Rubinstein. Une inconnue jadis célèbre (Paris: Honoré Champion, 1995).Google Scholar
Mayer, Charles S., ‘Ida Rubinstein: a twentieth-century Cleopatra’, Dance Research Journal, 20.2 (1988), 3351.Google Scholar
Schuster-Craig, John, ‘Stravinsky’s “Scènes de ballet” and Billy Rose’s “The seven lively arts”: the Abravanel account’, in Parisi, Susan (ed.), with collaboration of Ernest Harriss II and Calvin M. Bower, Music in the Theater, Church, and Villa: Essays in Honor of Robert Lamar Weaver and Norma Wright Weaver (Michigan: Harmonie Park Press, 2000), 285–9.Google Scholar
Beaumont, Cyril W., Complete Book of Ballets: A Guide to the Principal Ballets of the Nineteenth and Twentieth Centuries (New York: Putnam, 1938).Google Scholar
Beaumont, Cyril W., Michel Fokine and His Ballets (London: Wyman & Sons, 1935; repr. 1945).Google Scholar
Cott, Jonathan, Back to a Shadow in the Night: Music Writings and Interviews, 1968–2001 (Milwaukee: Hal Leonard, 2002).Google Scholar
Denby, Edwin, Dance Writings, ed. Cornfield, Robert and MacKay, William (Gainesville: University of Florida Press, 2007).Google Scholar
Fokine, Michel, Fokine: Memoirs of a Ballet Master, trans. Vitale Fokine, ed. Chujoy, Anatole (London: Constable, 1961).Google Scholar
Garafola, Lynn, Diaghilev’s Ballets Russes (New York: Oxford University Press, 1989).Google Scholar
Jordan, Stephanie, ‘The Demons in a Database: Interrogating “Stravinsky the Global Dancer”’, Dance Research: Journal of the Society for Dance Research, 22.1 (Summer 2004), 5783.Google Scholar
Joseph, Charles M., Stravinsky and Balanchine: A Journey of Invention (New Haven and London: Yale University Press, 2002).Google Scholar
Joseph, Charles M., Stravinsky’s Ballets (New Haven and London: Yale University Press, 2011).Google Scholar
Taper, Bernard, Balanchine: A Biography (Berkeley and Los Angeles: University of California Press, 1984).Google Scholar
Schneider, David E., ‘Bartók and Stravinsky: respect, competition, influence, and the Hungarian reaction to modernism in the 1920s’, in Laki, Peter (ed.), Bartók and His World (Princeton University Press, 1995), 172–99.Google Scholar
Hyde, Martha M., ‘Stravinsky’s neoclassicism’, in Cross, Jonathan (ed.), The Cambridge Companion to Stravinsky (Cambridge University Press, 2003), 98136.CrossRefGoogle Scholar
Benois, Alexandre, Reminiscences of the Russian Ballet, trans. Mary Britnieva (London: Putnam, 1947).Google Scholar
Benois, Alexandre, Zhizn’ khudozhnika: Vospominaniya (‘An Artist’s Life: Memoirs’). 2 vols. (New York: Chekhov Publishing House, 1955) (Engl. trans. M. Budberg as Memoirs, 2 vols., London: Chatto & Windus, 1960–4).Google Scholar
D’yachkova, Lyudmila and Yarustovsky, Boris (eds.), I. F. Stravinsky: Stat’i i materialy (‘I. F. Stravinsky: Articles and Materials’) (Moscow: Sovetsky Kompozitor, 1973).Google Scholar
Kochno, Boris, Diaghilev et les Ballets Russes (Paris: Fayard, 1973).Google Scholar
Roberts, David, The Total Work of Art in European Modernism (Ithaca, NY: Cornell University Press, 2011).Google Scholar
Smirnov, Valery, ‘Benua – librettist “Petrushki”’ (‘Benois, the librettist of Petrushka’), in L. D’yachkova and B. Yarustovsky (1973), 155–69.Google Scholar
Simeone, Nigel, The Leonard Bernstein Letters (London and New Haven: Yale University Press, 2013).Google Scholar
Cross, Jonathan, Igor Stravinsky (London: Reaktion Books, 2015).Google Scholar
Joseph, Charles M., Stravinsky’s Ballets (New Haven and London: Yale University Press, 2011).Google Scholar
Francis, Kimberley A., ‘Nadia Boulanger and Igor Stravinsky: documents of the Bibliothèque nationale de France’, Revue de Musicologie, 95.1 (2009), 137–56.Google Scholar
Francis, Kimberley A., Nadia Boulanger and the Stravinskys: A Selected Correspondence (University of Rochester Press, 2018).Google Scholar
Francis, Kimberley A., Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon (New York: Oxford University Press, 2015).Google Scholar
Boulez, Pierre, Stocktakings from an Apprenticeship, trans. Stephen Walsh (Oxford University Press, 1991).Google Scholar
Boulez, Pierre, ‘Stravinsky and the century: style or idea?’ Saturday Review (May 1971), 3941 and 58–9.Google Scholar
Boulez, Pierre and Stravinsky, Igor, ‘Correspondence’. PSS.Google Scholar
Goléa, Antoine, Rencontres avec Pierre Boulez (Paris: René Julliard, 1958; new edn 1982).Google Scholar
Stravinsky, Igor, Letter to the Music Editor of the Los Angeles Times (23 June 1970); reprinted in T&E, 214–17.Google Scholar
Kildea, Paul (ed.), Britten on Music (Oxford University Press, 2003).Google Scholar
Stroeher, Vicki P., Clark, Nicholas and Grimmer, Jude (eds.), My Beloved Man: The Letters of Benjamin Britten and Peter Pears (Woodbridge: The Boydell Press, 2016)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • B
  • Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan, Roehampton University, London
  • Book: The Cambridge Stravinsky Encyclopedia
  • Online publication: 30 September 2021
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • B
  • Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan, Roehampton University, London
  • Book: The Cambridge Stravinsky Encyclopedia
  • Online publication: 30 September 2021
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • B
  • Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan, Roehampton University, London
  • Book: The Cambridge Stravinsky Encyclopedia
  • Online publication: 30 September 2021
Available formats
×