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Chapter 10 - Transnational and black British writing: colonizing in reverse

Published online by Cambridge University Press:  05 June 2012

C. L. Innes
Affiliation:
University of Kent, Canterbury
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Summary

The previous chapter considered some of the ways in which postcolonial writers have revisited concepts of nationality and community by attending to the diverse histories and cultures of the areas they grew up in, histories which precede and accompany European colonization. Many of those writers, including Abdulrazak Gurnah, Wilson Harris, Michael Ondaatje and Salman Rushdie, had emigrated to Britain or Canada, and to some extent their attention to those early multicultural communities is influenced by their location in the more recent immigrant communities which have become a feature of those countries since World War II. Australia, Britain and Canada had all encouraged large-scale immigration to rebuild their postwar economies and supplement diminished labour forces. In Australia the immigrants came mostly from Britain and Europe, and until the 1970s non-European peoples were turned away under the White Australia Policy; Britain, on the other hand, actively recruited workers from the West Indies and the Indian subcontinent to service transport systems, the new National Health hospitals, and the steel and cotton factories. Consequently, although all three still have predominantly white populations of Anglo-Saxon and Celtic origin, Australia, Britain and Canada provide different contexts for the development of multicultural societies. Moreover, as the primary colonizing power, seen and seeing itself as the metropolitan centre, or as the ‘mother country’, Britain also differs significantly from Australia and Canada as a symbolic and actual site for those who had formerly been her imperial subjects.

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Publisher: Cambridge University Press
Print publication year: 2007

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