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5 - Seventeenth-Century French Women Writers and the Novel: A Challenge to Literary History

from Part I - Beginnings: From the Late Medieval to Madame de Lafayette

Published online by Cambridge University Press:  04 February 2021

Adam Watt
Affiliation:
University of Exeter
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Summary

This chapter challenges the standard narrative associated with the woman writer and the rise of the novel according to which an antisocial woman requires a separate, private space to create works that she delivers to the world anonymously, if she dares to publish them at all. When we return to seventeenth-century France, the period when the novel first came into its own, we discover a history of the genre, its practitioners and its consumers that upends this reductionist and stereotypical history. In France the novel arises out of a culture of collaboration and conversation, where women played a pivotal and determining role. Women influenced the novel form itself in addition to adding their own texts. The chapter presents the argument that collaboration and conversation, which were the hallmarks of a unique salon culture created and dominated by women, were at the heart of the genesis of the novel and influenced and shaped France’s Republic of Letters as whole. An examination of these particular characteristics illuminates the particular form the novel took in France, the influence women exerted on the novel, and why it was their creative genre of choice.

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Publisher: Cambridge University Press
Print publication year: 2021

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References

Further Reading

Adam, Antoine, Histoire de la littérature francaise au XVIIe siècle, 5 vols. (Paris: Éditions Domat Montchrestien, 1948–56)Google Scholar
Beasley, Faith E., Revising Memory: Women’s Fiction and Memoirs in Seventeenth-Century France (New Brunswick: Rutgers University Press, 1990)Google Scholar
Beasley, Faith E., Salons, History, and the Creation of Seventeenth-Century France: Mastering Memory (Aldershot: Ashgate, 2006)Google Scholar
Beasley, Faith E., Teaching Seventeenth and Eighteenth-Century French Women Writers (New York: MLA, 2011)Google Scholar
Beasley, Faith E., Versailles Meets the Taj Mahal: François Bernier, Marguerite de la Sablière and Enlightening Conversations in Seventeenth-Century France (Toronto: University of Toronto Press, 2018)CrossRefGoogle Scholar
Chartier, Roger, ‘Loisir et sociabilité: lire à haute voix dans l’Europe moderne’, Littératures classiques, 12 (1990), 127–47CrossRefGoogle Scholar
Coulet, Henri, Le Roman jusqu’à la révolution, 2 vols. (Paris: A. Colin, 1967)Google Scholar
Craveri, Bernadette, L’Âge de la conversation (Paris: Gallimard, 2002)Google Scholar
DeJean, Joan, Tender Geographies: Women and the Origins of the Novel in France (New York: Columbia University Press, 1991)Google Scholar
Gilbert, Sandra M. and Gubar, Susan, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (New Haven and London: Yale University Press, 1979)Google Scholar
Goldsmith, Elizabeth, Exclusive Conversations: The Art of Interaction in Seventeenth-Century France (Philadelphia: University of Pennsylvania Press, 1988)CrossRefGoogle Scholar
Goldsmith, Elizabeth C. and Goodman, Dena (eds.), Going Public: Women and Publishing in Early Modern France (Ithaca, NY: Cornell University Press, 1995)Google Scholar
Harth, Erica, Cartesian Women: Versions and Subversions of Rational Discourse in the Old Regime (Ithaca, NY, and London: Cornell University Press, 1992)Google Scholar
Hipp, Marie-Thérèse, Mythes et réalités: enquête sur le roman et les mémoires 1660–1700 (Paris: Klincksieck, 1976)Google Scholar
Jensen, Katharine Ann, Writing Love: Letters, Women, and the Novel (1605–1776) (Carbondale: Southern Illinois University Press, 1994)Google Scholar
Lougee, Carolyn, Le Paradis des femmes: Women, Salons, and Social Stratification in Seventeenth-Century France (Princeton, NJ: Princeton University Press, 1976)Google Scholar
Russo, Elena (ed.), Exploring the Conversible World: Text and Sociability from the Classical Age to the Enlightenment (Yale French Studies, 92 (1997))Google Scholar
Sartori, Eva Martin, and Zimmerman, Dorothy Wynne (eds.), French Women Writers: A Bio-bibliographical Source Book (New York: Greenwood Press, 1991)Google Scholar
Seifert, Lewis, Fairy Tales, Sexuality and Gender in France, 1690–1715: Nostalgic Utopias (Cambridge: Cambridge University Press, 1996)CrossRefGoogle Scholar
Showalter, English Jr., The Evolution of the French Novel 1641–1782 (Princeton, NJ: Princeton University Press, 1972)Google Scholar
Stanton, Domna C., The Dynamics of Gender in Early Modern France: Women Writ, Women Writing (Aldershot: Ashgate, 2014)Google Scholar
Stedman, Allison, Rococo Fiction in France 1600–1715: Seditious Frivolity (Lewisburg, PA: Bucknell University Press, 2013)Google Scholar
Stephens, Sonya (ed.), A History of Women’s Writing in France (Cambridge: Cambridge University Press, 2000)CrossRefGoogle Scholar
Timmermans, Linda, L’Accès des femmes à la culture (1598–1715) (Paris: Champion, 1993)Google Scholar
Viala, Alain, La France galante (Paris: Presses Universitaires de France, 2008)Google Scholar
Viala, Alain, La Naissance de l’écrivain (Paris: Minuit, 1985)Google Scholar

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