Aside from its intellectual content, the essay provides a space for contemporary British novelists to enhance their career prospects. This takes the threefold forms of intertexual affiliation by co-publication within the same title as other writers; of creating a space in which to generate prestige-enhancing controversy; and of enabling novelists to hold academic affiliations. This chapter examines these features through a network analysis of the publications in The London Review of Books over the past two decades and then through case studies of Hilary Mantel, Will Self, Tom McCarthy, and Zadie Smith.