Book contents
- The Cambridge History of the Australian Novel
- The Cambridge History of the Australian Novel
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- 1 The Global Invention of the Australian Novel
- 2 Colonial Adventure Novels
- 3 Beyond Britain and the Book
- 4 Transnational Optics
- 5 The Novel in the Late Colonial Period
- 6 Love Is Not Enough
- 7 The Australian Crime Novel, 1830–1950
- 8 The Novel Nation
- 9 Selling Australian Stories to the World
- 10 Women Writers and the Emerging Urban Novel, 1930–1952
- 11 The National Trilogy and Mining
- 12 Nation and Environment in the Twentieth-Century Novel
- 13 Henry Handel Richardson, Christina Stead and the Transnational Fiction of Provincial Development
- 14 The Mid-Century Australian Novel and the End of World History
- 15 Race, Romance and Anxiety
- 16 Whiteness, Aboriginality and Representation in the Twentieth-Century Australian Novel
- 17 When the Twain Meet
- 18 From Bunyip to Boom
- 19 Unsettling Archive
- 20 The Novel at Arms
- 21 ‘Our Least-Known Best Seller’
- 22 Writing, Women and the Australian Novel
- 23 White Lies
- 24 The Economics of the Literary Novel
- 25 Mabo, History, Sovereignty
- 26 Indigenous Futurism
- 27 The Regional Novel in Australia
- 28 Children’s and Young Adult Literature
- 29 Grunge, Nation and Literary Generations
- 30 The Making of the Asian Australian Novel
- 31 Screening the Australian Novel, 1971–2020
- 32 Australian Fantasy, Crime and Romance Fiction in the Twentieth and Twenty-First Centuries
- 33 Uncertain Futures
- 34 A (Sovereign) Body of Work
- 35 The Novel Road to the Global South
- 36 The Fortunes of the Miles Franklin
- 37 The Arab Australian Novel
- 38 Riddling the Nation
- 39 Migrant Writing and the Invention of Australia
- Selective Bibliography: Studies of the Australian Novel, 2000–2021
- Index
3 - Beyond Britain and the Book
The Nineteenth-Century Australian Novel Unbound/ed
Published online by Cambridge University Press: 28 June 2023
- The Cambridge History of the Australian Novel
- The Cambridge History of the Australian Novel
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- 1 The Global Invention of the Australian Novel
- 2 Colonial Adventure Novels
- 3 Beyond Britain and the Book
- 4 Transnational Optics
- 5 The Novel in the Late Colonial Period
- 6 Love Is Not Enough
- 7 The Australian Crime Novel, 1830–1950
- 8 The Novel Nation
- 9 Selling Australian Stories to the World
- 10 Women Writers and the Emerging Urban Novel, 1930–1952
- 11 The National Trilogy and Mining
- 12 Nation and Environment in the Twentieth-Century Novel
- 13 Henry Handel Richardson, Christina Stead and the Transnational Fiction of Provincial Development
- 14 The Mid-Century Australian Novel and the End of World History
- 15 Race, Romance and Anxiety
- 16 Whiteness, Aboriginality and Representation in the Twentieth-Century Australian Novel
- 17 When the Twain Meet
- 18 From Bunyip to Boom
- 19 Unsettling Archive
- 20 The Novel at Arms
- 21 ‘Our Least-Known Best Seller’
- 22 Writing, Women and the Australian Novel
- 23 White Lies
- 24 The Economics of the Literary Novel
- 25 Mabo, History, Sovereignty
- 26 Indigenous Futurism
- 27 The Regional Novel in Australia
- 28 Children’s and Young Adult Literature
- 29 Grunge, Nation and Literary Generations
- 30 The Making of the Asian Australian Novel
- 31 Screening the Australian Novel, 1971–2020
- 32 Australian Fantasy, Crime and Romance Fiction in the Twentieth and Twenty-First Centuries
- 33 Uncertain Futures
- 34 A (Sovereign) Body of Work
- 35 The Novel Road to the Global South
- 36 The Fortunes of the Miles Franklin
- 37 The Arab Australian Novel
- 38 Riddling the Nation
- 39 Migrant Writing and the Invention of Australia
- Selective Bibliography: Studies of the Australian Novel, 2000–2021
- Index
Summary
The nineteenth-century Australian novel has predominantly been understood in terms of the dominance of Britain, both as the place where most books were published and as the source of literary traditions. But this account presumes and maintains the status of the book as the primary vehicle for transmission of literature, whereas the vast majority of Australian novels were serialised (either before or after book publication) and a great many were only ever published in serial form. A history of the early Australian novel that recognises the vital role of serialisation, as distinct from but also in relation to book publication, brings to light new trends in authorship, publication, circulation and reception. This history also uncovers new Australian novelists as well as previously unrecognised features of their fiction. In particular, a number of literary historians argue that early Australian novelists replicated the legal lie of terra nullius in excluding Aboriginal characters from their fiction. Considering fiction serialised in Australian newspapers indicates that these characters were actually widely depicted and suggests the need for a new account of the relationship between nineteenth-century Australian novels and colonisation.
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- The Cambridge History of the Australian Novel , pp. 44 - 62Publisher: Cambridge University PressPrint publication year: 2023