For much of the twentieth century, Indigenous writers faced daunting barriers in getting their books published; indeed, lack of access, delays in publishing, inadequate distribution, institutional racism, and precarious archiving practices have shaped the history of Indigenous writing in Canada. The obstacles to publishing reflect a larger reality in which the forces of appropriation continue to attempt to dispossess Indigenous people of lands, languages, communities, and families. Particularly since the 1990s, Indigenous writers have used strategies of reframing and de-framing in order to bring stories that have been overlooked back into circulation, and to tell new stories outside of the ever-adapting box of what is expected as “Indigenous literature.” Writers shift the frame to make stories more legible—or in some cases, to deliberately foreground silence and what is not (yet) told. This struggle to re-frame, de-frame, and shatter the existing frames of stories have opened up new spaces of freedom in Indigenous literary expression.