Book contents
- Frontmatter
- Introduction to Volume 1
- 1 A brief history of the history of Spanish American Literature
- 2 Cultures in contact: Mesoamerica, the Andes, and the European written tradition
- 3 The first fifty years of Hispanic New World historiography: the Caribbean, Mexico, and Central America
- 4 Historians of the conquest and colonization of the New World: 1550–1620
- 5 Historians of the colonial period: 1620–1700
- 6 Colonial lyric
- 7 Epic poetry
- 8 Spanish American theatre of the colonial period
- 9 Viceregal culture
- 10 The eighteenth century: narrative forms, scholarship, and learning
- 11 Lyric poetry of the eighteenth and nineteenth centuries
- 12 Spanish American theatre of the eighteenth century
- 13 The nineteenth-century Spanish American novel
- 14 The brief narrative in Spanish America: 1835–1915
- 15 The Spanish American theatre of the nineteenth century
- 16 The essay in Spanish South America: 1800 to Modernismo
- 17 The essay of nineteenth-century Mexico, Central America, and the Caribbean
- 18 The gaucho genre
- Index
- Bibliographies
- References
13 - The nineteenth-century Spanish American novel
Published online by Cambridge University Press: 28 March 2008
- Frontmatter
- Introduction to Volume 1
- 1 A brief history of the history of Spanish American Literature
- 2 Cultures in contact: Mesoamerica, the Andes, and the European written tradition
- 3 The first fifty years of Hispanic New World historiography: the Caribbean, Mexico, and Central America
- 4 Historians of the conquest and colonization of the New World: 1550–1620
- 5 Historians of the colonial period: 1620–1700
- 6 Colonial lyric
- 7 Epic poetry
- 8 Spanish American theatre of the colonial period
- 9 Viceregal culture
- 10 The eighteenth century: narrative forms, scholarship, and learning
- 11 Lyric poetry of the eighteenth and nineteenth centuries
- 12 Spanish American theatre of the eighteenth century
- 13 The nineteenth-century Spanish American novel
- 14 The brief narrative in Spanish America: 1835–1915
- 15 The Spanish American theatre of the nineteenth century
- 16 The essay in Spanish South America: 1800 to Modernismo
- 17 The essay of nineteenth-century Mexico, Central America, and the Caribbean
- 18 The gaucho genre
- Index
- Bibliographies
- References
Summary
Andrés Bello: nationalism and narrativity
In his article “Modo de escribir la historia” (1848), Andrés Bello (1781-1865) gave the following advice: “When the history of a country exists only in scattered, incomplete documents, in vague traditions which must be compared and evaluated, the narrative method is obligatory.” With this judgment Bello disqualified any effort to write works of philosophy of history because he considered it, in the case of Spanish America, premature. He thought the history of a young nation ought to be far removed from theoretical generalizations, that it ought to be a concrete narrative based on the examination and comparative study of those sources which refer to American events since the pre-Columbian era. One may suppose that Bello’s intention was to give the new nations ample room to develop historiographical discourse, an enterprise then in its infancy, before it was to be judged by more demanding standards of historiography. Nevertheless, I think there was another motive behind his strategy, a concern related to the question of nationalism. We can see this additional objective in his praise of the work of Bernal Díaz del Castillo: “no synthesis, no collection of historical aphorisms, will ever allow us to conceive so vividly the conquest of America” (“Modo de estudiar la historia,” 246). In other words, Bello favored the writing of history in narrative form because such a form, with the vitality of its story-telling, made it possible for the reader to identify with the protagonists of the exploration and conquest of the American territories.
- Type
- Chapter
- Information
- The Cambridge History of Latin American Literature , pp. 417 - 489Publisher: Cambridge University PressPrint publication year: 1996
References
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