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32 - Jewish elements in gnosticism and magic c.ce 70–c.ce 270

Published online by Cambridge University Press:  28 March 2008

Philip Alexander
Affiliation:
University of Manchester
William Horbury
Affiliation:
University of Cambridge
W. D. Davies
Affiliation:
Duke University, North Carolina
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Summary

GNOTICISM

Jewish elements in gnosticism: the problem defined

It should be obvious even from a cursory reading of Gnostic literature that there are Jewish elements in Gnosticism. These elements are of many different kinds, and may be classified in many different ways, but for our present purposes it will be sufficient to distinguish two broad categories – biblical and non-biblical. To the first category belong the quotations from, or allusions to, the Old Testament in the Gnostic texts. (For convenience we may include here also much Gnostic exegesis of the Old Testament.) Into the second category may be put all those Gnostic ideas, motifs, literary genres, technical terms and formulae which have been paralleled more or less convincingly in post-biblical Jewish literature. It is important to realize that the significance of an element will vary according to the category into which it falls. The Jewishness of elements in category one is not, in the last analysis, open to question. We may speculate on how Old Testament materials found their way into Gnosticism (whether through Christianity, pre-Christian Jewish Gnosticism, or by direct borrowing from Judaism), but that they are Jewish can hardly be disputed. The Jewishness of elements in category two, on the other hand, is often problematic. We are dealing here in the first instance with parallelism, and that creates a host of problems. We must establish that the parallelism we perceive is real and significant – in itself no small task. Then we must face the question of origins: who has borrowed from whom? There is a tendency for scholars to assume that in cases of parallelism Gnosticism is indebted to Judaism.

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Publisher: Cambridge University Press
Print publication year: 1999

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