Book contents
- The Cambridge History of Fifteenth-Century Music
- Series page
- The Cambridge History of Fifteenth-Century Music
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Notes on contributors
- Acknowledgments
- Abbreviations
- Introduction
- Part I Historiography
- Part II Improvisation and composition
- Part III Humanism
- Part IV Music and other arts
- Part V Music in churches, courts, and cities
- Part VI Religious devotion and liturgy
- Part VII Theory and practice
- Part VIII Sources
- Part IX Genres
- 35 The polyphonic mass in the fifteenth century
- 36 The fifteenth-century motet
- 37 Fifteenth-century song
- 38 Instrumental music in the fifteenth century
- 39 Sacred song in the fifteenth century: cantio, carol, lauda, Kirchenlied
- 40 Plainsong in the age of polyphony
- Part X Reception
- Index
36 - The fifteenth-century motet
from Part IX - Genres
Published online by Cambridge University Press: 05 July 2015
- The Cambridge History of Fifteenth-Century Music
- Series page
- The Cambridge History of Fifteenth-Century Music
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Notes on contributors
- Acknowledgments
- Abbreviations
- Introduction
- Part I Historiography
- Part II Improvisation and composition
- Part III Humanism
- Part IV Music and other arts
- Part V Music in churches, courts, and cities
- Part VI Religious devotion and liturgy
- Part VII Theory and practice
- Part VIII Sources
- Part IX Genres
- 35 The polyphonic mass in the fifteenth century
- 36 The fifteenth-century motet
- 37 Fifteenth-century song
- 38 Instrumental music in the fifteenth century
- 39 Sacred song in the fifteenth century: cantio, carol, lauda, Kirchenlied
- 40 Plainsong in the age of polyphony
- Part X Reception
- Index
Summary
- Type
- Chapter
- Information
- The Cambridge History of Fifteenth-Century Music , pp. 701 - 718Publisher: Cambridge University PressPrint publication year: 2015