Book contents
- Frontmatter
- PART I READERS AND CRITICS
- PART II EARLY REPUBLIC
- PART III LATE REPUBLIC
- PART IV THE AGE OF AUGUSTUS
- PART V EARLY PRINCIPATE
- 24 Challenge and response
- 25 Persius
- 26 The Younger Seneca
- 27 Lucan
- 28 Flavian epic
- 29 Martial and Juvenal
- 30 Minor poetry
- 31 Prose satire
- 32 History and biography
- 33 Technical writing
- 34 Rhetoric and scholarship
- PART VI LATER PRINCIPATE
- PART VII EPILOGUE
- Appendix of authors and works
- Metrical appendix
- Works Cited in the Text
- Plate Section
- References
25 - Persius
from PART V - EARLY PRINCIPATE
Published online by Cambridge University Press: 28 March 2008
- Frontmatter
- PART I READERS AND CRITICS
- PART II EARLY REPUBLIC
- PART III LATE REPUBLIC
- PART IV THE AGE OF AUGUSTUS
- PART V EARLY PRINCIPATE
- 24 Challenge and response
- 25 Persius
- 26 The Younger Seneca
- 27 Lucan
- 28 Flavian epic
- 29 Martial and Juvenal
- 30 Minor poetry
- 31 Prose satire
- 32 History and biography
- 33 Technical writing
- 34 Rhetoric and scholarship
- PART VI LATER PRINCIPATE
- PART VII EPILOGUE
- Appendix of authors and works
- Metrical appendix
- Works Cited in the Text
- Plate Section
- References
Summary
The satires of Persius are preceded by fourteen choliambic lines, which say in effect: 'I have not undergone any of the usual rituals of consecration; I only half belong to the bards' fraternity. But, as we know, the prospect of cash makes all kinds of untalented people poetic' By this disclaimer Persius hopes to win indulgence. The clichés of inspiration are presented with unmistakable irony: Persius has not drunk from the fons caballinus ‘the nag's spring’ (a deflationary translation of the Greek Hippocrene); ‘as far as he remembers’ he has not had any dreams on Mt Parnassus (a satirical reference to the dreams of Callimachus and Ennius); and he leaves the Heliconides ‘the daughters of Helicon’ to established writers. Nevertheless, although he is only ‘a half clansman’ (semipaganus), Persius does regard himself as in some sense a poeta with a carmen to contribute; and since his pose as a starving hack is clearly a comic device (because he was quite well off), we assume he has other reasons for writing.
The lines have caused much dispute, but while the choice of metre is odd (cf. Petronius, Satyricon 5), there is no good reason to doubt that they form a single piece and were intended to serve as a prologue, not as an epilogue.
Satire I
In Ovid (Met. ii.180ff.) we read how King Midas' barber discovered that his master had asses' ears and whispered the secret into a hole in the ground. Persius' secret, however, is that everyone in Rome has asses' ears; and instead of trying to bury it he confides it to his book.
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- Information
- The Cambridge History of Classical Literature , pp. 503 - 510Publisher: Cambridge University PressPrint publication year: 1982