Book contents
- The Cambridge History of China
- Copyright page
- Contents
- Figures and Tables
- Maps
- Preface
- Six Dynasties Chronology
- Introduction
- Part 1 History
- Part 2 Society and Realia
- Part 3 Culture, Religion, and Art
- Chapter 22 Confucian Learning and Influence
- Chapter 23 Qingtan and Xuanxue
- Chapter 24 Buddhism
- Chapter 25 Daoism
- Chapter 26 Popular Religion
- Chapter 27 The World of Prose Literature
- Chapter 28 The World of Poetry
- Chapter 29 Art and Visual Culture
- Chapter 30 Music
- Abbreviations of Frequently Cited Primary Sources
- Journal Titles: Acronyms (single-word titles do not use acronyms)
- List of Asian Journal Titles
- Primary Texts
- General Bibliography
- Glossary–Index
Chapter 28 - The World of Poetry
from Part 3 - Culture, Religion, and Art
Published online by Cambridge University Press: 28 October 2019
- The Cambridge History of China
- Copyright page
- Contents
- Figures and Tables
- Maps
- Preface
- Six Dynasties Chronology
- Introduction
- Part 1 History
- Part 2 Society and Realia
- Part 3 Culture, Religion, and Art
- Chapter 22 Confucian Learning and Influence
- Chapter 23 Qingtan and Xuanxue
- Chapter 24 Buddhism
- Chapter 25 Daoism
- Chapter 26 Popular Religion
- Chapter 27 The World of Prose Literature
- Chapter 28 The World of Poetry
- Chapter 29 Art and Visual Culture
- Chapter 30 Music
- Abbreviations of Frequently Cited Primary Sources
- Journal Titles: Acronyms (single-word titles do not use acronyms)
- List of Asian Journal Titles
- Primary Texts
- General Bibliography
- Glossary–Index
Summary
Early medieval authors set in place enduring elements of the poetic tradition. The most fundamental was to make a regular practice of composing lyric poetry (shi). During the Han dynasty (206 bce–220 ce), the centerpiece of literary culture had been recitations of rhyme-prose (fu) whose dazzling rhetoric could extend for hundreds of lines. Relative to the lesser technical challenge of the brief lyric, rather few shi were written. Some were preserved as codas to the fu and underscored their praise for the government. The most impassioned poems, special to the Han, were songs (ge) of despair by the royal household and its associates when their lives or the state were endangered.
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- Information
- The Cambridge History of China , pp. 623 - 661Publisher: Cambridge University PressPrint publication year: 2019