Book contents
- Frontmatter
- Introduction
- A Cultural History of the Modern American Novel: Introduction
- 1 A Dream City, Lyric Years, and a Great War
- 2 Fiction in a Tme of Plenty
- 3 The Fate of Writing During the Great Depression
- Fictions of the Harlem Renaissance
- Ethnic Modernism
- Introduction
- 1 Gertrude Stein and “Negro Sunshine”
- 2 Ethnic Lives and “Lifelets”
- 3 Ethnic Themes, Modern Themes
- 4 Mary Antin: Progressive Optimism against The Odds
- 5 Who is “American”?
- 6 American Languages
- 7 “All the Past We Leave Behind”? Ole E. Rölvaag and the Immigrant Trilogy
- 8 Modernism, Ethnic Labeling, and The Quest for Wholeness: Jean Toomer’s New American Race
- 9 Freud, Marx, Hard-Boiled
- 10 Hemingway Spoken Here
- 11 Henry Roth: Ethnicity, Modernity, and Modernism
- 12 The Clock, The Salesman, and the Breast
- 13 Was Modernism Antitotalitarian?
- 14 Facing the Extreme
- 15 Grand Central Terminal
- Chronology
- Bibliography
- Index
7 - “All the Past We Leave Behind”? Ole E. Rölvaag and the Immigrant Trilogy
from Ethnic Modernism
Published online by Cambridge University Press: 28 March 2008
- Frontmatter
- Introduction
- A Cultural History of the Modern American Novel: Introduction
- 1 A Dream City, Lyric Years, and a Great War
- 2 Fiction in a Tme of Plenty
- 3 The Fate of Writing During the Great Depression
- Fictions of the Harlem Renaissance
- Ethnic Modernism
- Introduction
- 1 Gertrude Stein and “Negro Sunshine”
- 2 Ethnic Lives and “Lifelets”
- 3 Ethnic Themes, Modern Themes
- 4 Mary Antin: Progressive Optimism against The Odds
- 5 Who is “American”?
- 6 American Languages
- 7 “All the Past We Leave Behind”? Ole E. Rölvaag and the Immigrant Trilogy
- 8 Modernism, Ethnic Labeling, and The Quest for Wholeness: Jean Toomer’s New American Race
- 9 Freud, Marx, Hard-Boiled
- 10 Hemingway Spoken Here
- 11 Henry Roth: Ethnicity, Modernity, and Modernism
- 12 The Clock, The Salesman, and the Breast
- 13 Was Modernism Antitotalitarian?
- 14 Facing the Extreme
- 15 Grand Central Terminal
- Chronology
- Bibliography
- Index
Summary
One of the great and widely recognized works of modern American ethnic literature in a language apart from English was a trilogy originally written in Norwegian by O. E. Rölvaag. It consists of Giants in the Earth: A Saga of the Prairie (originally published as two separate novels I de dage, 1924, and Riket grundlœgges, 1925; Engl. both 1927), Peder Victorious: A Tale of the Pioneers Twenty Years Later (orig. Peder Seier, 1928, Engl. 1929), and Their Fathers’ God (orig. Den signede dag, 1931, Engl. 1931). Rölvaag’s work marked a high point of American literature, but also the beginning of the end of Norwegian-language writing in the United States, a rich body of works that includes not only Buslett and Dahl, but a long line of novelistic precursors. Singularly noteworthy among them is the beautifully melancholy (and social-reformist) novel En saloonkeepers datter (1887, Engl. A Saloonkeeper’s Daughter) by the Norwegian-born author Drude Krog Janson. The heroine of the novel’s title is the memorable character Astrid Holm, the daughter of a stern bourgeois businessman and a melancholy actress, who, after her mother’s death and the failure of her father’s business, follows him (with her much younger brothers) from Norway to Minnesota – where none of the Old World maxims seem to apply any more and where her new identity is simply that of A Saloonkeeper’s Daughter. The central part of the novel shows the heroine’s attempt to find her own way through different suitors, and, ultimately, as an ordained minister and close friend of a woman doctor.
- Type
- Chapter
- Information
- The Cambridge History of American Literature , pp. 434 - 441Publisher: Cambridge University PressPrint publication year: 2002