Cinema as Intercultural Communication

doi:10.1017/9781108555067.021

17 - Cinema as Intercultural Communication

from Part III - Methods

Published online by Cambridge University Press: 18 February 2020

Joanne Leal

Edited by

Guido Rings and

Sebastian Rasinger

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Guido Rings: Affiliation:
Anglia Ruskin University, Cambridge
Sebastian Rasinger: Affiliation:
Anglia Ruskin University, Cambridge

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Summary

Joanne Leal’s chapter investigates how far and how exactly cinema is able to offer a representational counterbalance to conservative notions of national belonging and exclusionary constructions of what social cohesion should mean. It considers these issues mainly within a Western European framework, asking what film can do to promote intercultural sensitivities within contemporary European contexts in which attitudes to the impact of globalization and particularly the transnational movement of people are often ambivalent and sometimes actively hostile. In particular it examines critical assessments of the positive intercultural impact of watching foreign cinema, the possible political effects of films which encourage empathetic responses to transnational tales contained in generically familiar forms and the critical potential of two kinds of film which uses less conventional cinematic means to represent a globalized social world.

Keywords

intercultural communication European cinema transnationalism globalization intercultural literacy film

Type: Chapter
Information: The Cambridge Handbook of Intercultural Communication , pp. 286 - 301

DOI: https://doi.org/10.1017/9781108555067.021 [Opens in a new window]

Publisher: Cambridge University Press

Print publication year: 2020

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17 - Cinema as Intercultural Communication

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