Book contents
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Tables
- Contributors
- Foreword
- Acknowledgements
- 1 General Introduction – Intellectual Property in Central and Eastern Europe:
- 2 The Patent System in Pre-1989 Czechoslovakia
- 3 The Development of Hungarian Copyright Law until the Creation of the First Copyright Act (1793–1884)
- 4 Moral Rights and the Cultural Aspects of Hungarian Copyright Law:
- 5 The Polish Struggle with the Concept of Copyrightable Work:
- 6 Comparing Concepts of Originality in EU, Lithuanian, and US Law:
- 7 The Comparative Lessons of Itar-Tass Russian News Agency v. Russian Kurier
- 8 Communication to the Public under Union Law from the Perspective of Austrian and German Copyright Law: A Notion in Transition
- 9 Collective Management of Copyright in Hungary1
- 10 Exceptions and Limitations:
- 11 The Digitization of Czech Cultural Heritage and New Forms of Information Exclusivity
- 12 The Treatment of Authors’ Moral Rights in Georgia
- 13 Performers’ Rights: A Central European Export
- 14 The White Elephant in the Room:
- 15 A Central and Eastern European Perspective on EU Copyright Reform:
- 16 The Painter, the One Horn Cow, and Ole Hank Wilson’s Back Lot:
- 17 Does Paying Innovative Employees Pay Off?:
- 18 Intellectual Property Rights in Albania:
- 19 The Protection of Geographical Indications for Agricultural Products in the European Union
- 20 Legal Protection of the Traditional Knowledge and Traditional Cultural Expressions of the Indigenous Peoples of the Former Soviet Union*
- Index
10 - Exceptions and Limitations:
A Consideration of Copyright Theory and Practice in the Czech Republic
Published online by Cambridge University Press: 11 June 2019
By
Edited by
Book contents
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Tables
- Contributors
- Foreword
- Acknowledgements
- 1 General Introduction – Intellectual Property in Central and Eastern Europe:
- 2 The Patent System in Pre-1989 Czechoslovakia
- 3 The Development of Hungarian Copyright Law until the Creation of the First Copyright Act (1793–1884)
- 4 Moral Rights and the Cultural Aspects of Hungarian Copyright Law:
- 5 The Polish Struggle with the Concept of Copyrightable Work:
- 6 Comparing Concepts of Originality in EU, Lithuanian, and US Law:
- 7 The Comparative Lessons of Itar-Tass Russian News Agency v. Russian Kurier
- 8 Communication to the Public under Union Law from the Perspective of Austrian and German Copyright Law: A Notion in Transition
- 9 Collective Management of Copyright in Hungary1
- 10 Exceptions and Limitations:
- 11 The Digitization of Czech Cultural Heritage and New Forms of Information Exclusivity
- 12 The Treatment of Authors’ Moral Rights in Georgia
- 13 Performers’ Rights: A Central European Export
- 14 The White Elephant in the Room:
- 15 A Central and Eastern European Perspective on EU Copyright Reform:
- 16 The Painter, the One Horn Cow, and Ole Hank Wilson’s Back Lot:
- 17 Does Paying Innovative Employees Pay Off?:
- 18 Intellectual Property Rights in Albania:
- 19 The Protection of Geographical Indications for Agricultural Products in the European Union
- 20 Legal Protection of the Traditional Knowledge and Traditional Cultural Expressions of the Indigenous Peoples of the Former Soviet Union*
- Index
Summary
This study offers a concise overview of both the theory and practice of exceptions and limitations to copyright in the Czech Republic. The first part describes the copyright system of the Czech Republic and the general approach to regulating exceptions and limitations. The second part analyses the existing individual exceptions and limitations, and their application by national courts. The last part offers some conclusions and identifies future challenges.
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- Publisher: Cambridge University PressPrint publication year: 2019
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