The airing of the documentary Style Wars on public television in 1984 was a seminal moment in the adoption of hip-hop style art by urban youth in Aotearoa New Zealand, particularly young M?ori and Pasifika men in Auckland and Wellington. Today, non-commissioned art is not the preserve of a specific ethnic or cultural group, indeed, a research paper written for the Ministry of Justice found “little evidence to suggest that graffiti writers are a distinct subgroup among young people”. Askew One (Elliot O’Donnell) is probably the best-known Auckland street artist. The works of BMD, the most prominent Wellington street artists, adorn many of the capital’s walls. Other often-encountered pseudonyms include “Component, Eeks, Ghstie and Yelz”. Kerryn Pollock observes: “Street art is male-dominated, but some women have gained recognition for their work, including Diva, Misery (Tanja Thompson), Flox (Hayley King), Erin Forsyth, Xoe Hall and Mica Still.” Yarn bombing is also common, notably in Wellington, and, because it is perceived as feminine and non-threatening, widely accepted across generations.