Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
116 - Thomas Kyd
from Part XIII - Shakespeare’s Fellows
Published online by Cambridge University Press: 17 August 2019
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Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 899 - 904Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Bate, Jonathan. “The Performance of Revenge: Titus Andronicus and The Spanish Tragedy.” The Show Within: Dramatic and Other Insets. English Renaissance Drama (1550–1642). Ed. Laroque, François. 2 vols. Montpellier: Université Paul-Valéry, 1992. 2: 267–84.Google Scholar
Craig, Hugh, and Kinney, Arthur F., eds. Shakespeare, Computers and the Mystery of Authorship. Cambridge: Cambridge University Press, 2009.CrossRefGoogle Scholar
Erne, Lukas. Beyond “The Spanish Tragedy”: A Study of the Works of Thomas Kyd. Manchester: Manchester UP, 2001.Google Scholar
Freeman, Arthur. “Marlowe, Kyd and The Dutch Church Libel.” English Literary Renaissance 3 (1973): 44–52.CrossRefGoogle Scholar
Fuzier, Jean. “Carrière et Popularité de la ‘Tragedie Espagnole’ en Angleterre.” Dramaturgie et Société: Rapports entre l’oeuvre théâtrale, son interprétation et son public aux XVIe et XVIIe siècles. Ed. Jacquot, Jean. 2 vols. Paris: Éditions du Centre National de la Recherche Scientifique, 1968. 2: 589–606.Google Scholar
Shapiro, James. “‘Tragedies Naturally Performed’: Kyd’s Representation of Violence. The Spanish Tragedy (c.1587).” Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. Ed. Kastan, David S. and Stallybrass, Peter. London: Routledge, 1991. 99–113.Google Scholar
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Further reading
Ardolino, Frank. Apocalypse and Armada in Kyd’s “Spanish Tragedy.” Sixteenth Century Journal. Kirksville: Northeast Missouri State University, 1995.Google Scholar
Díaz-Fernández, José Ramón. “Thomas Kyd: A Bibliography, 1966–1992.” Bulletin of Bibliography 52.1 (1995): 1–13.Google Scholar
Edwards, Philip. “Shakespeare and Kyd.” Shakespeare, Man of the Theater: Proceedings of the Second Congress of the International Shakespeare Association, 1981. Ed. Muir, Kenneth, Halio, Jay L., and Palmer, D. J.. Newark: U of Delaware P, 1983. 148–54.Google Scholar
Hattaway, Michael. Elizabethan Popular Theatre: Plays in Performance. London: Routledge, 1982.Google Scholar
Hill, Eugene. “Senecan and Vergilian Perspectives in The Spanish Tragedy.” English Literary Renaissance 15 (1985): 143–65.CrossRefGoogle Scholar
Hunter, G. K. “Ironies of Justice in The Spanish Tragedy.” Renaissance Drama 8 (1965): 89–104.CrossRefGoogle Scholar
Kyd, Thomas. The Works of Thomas Kyd. Ed. Boas, Frederick Samuel. Oxford: Clarendon, 1901. Rpt. with supplement, 1955.Google Scholar
Levin, Henry. “‘Vindicta Mihi!’: Meaning, Morality and Motivation in The Spanish Tragedy.” Studies in English Literature, 1500–1900 4 (1964): 307–24.Google Scholar