Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Introduction
- 36 Astronomy, Astrology, Cosmology
- 37 Cartography
- 38 Botany
- 39 Zoology
- 40 Textiles and Clothing Construction
- 41 Agriculture, Food Distribution, Cooking
- 42 Metallurgy
- 43 Alchemy
- 44 Military Technologies
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
40 - Textiles and Clothing Construction
from Part IV - Science and Technology
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Introduction
- 36 Astronomy, Astrology, Cosmology
- 37 Cartography
- 38 Botany
- 39 Zoology
- 40 Textiles and Clothing Construction
- 41 Agriculture, Food Distribution, Cooking
- 42 Metallurgy
- 43 Alchemy
- 44 Military Technologies
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 288 - 293Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Ashelford, Jane. A Visual History of Costume: The Sixteenth Century. London: Batsford, 1983.Google Scholar
Davies, Matthew, and Saunders, Ann. The History of the Merchant Taylors’ Company. Leeds: Maney, 2004.Google Scholar
Foakes, R. A., ed. Henslowe’s Diary. 2nd edition. Cambridge: Cambridge University Press, 2002.Google Scholar
Linthicum, M. Channing. Costume in the Drama of Shakespeare and His Contemporaries. Oxford: Clarendon, 1936.Google Scholar
Rothstein, Natalie. “Silk in the Early Modern Period, c.1500–1780.”The Cambridge History of Western Textiles. Vol. 1. Ed. Jenkins, D.. Cambridge: Cambridge University Press, 2003. 528–61.Google Scholar
Saunders, Ann. “‘A cloke not made so Orderly’: The Sixteenth Century Minutes of the Merchant Taylors’ Company.” The Ricardian 13 (2003): 415–19.Google Scholar
Seiler-Baldinger, Annemarie. Textiles: A Classification of Techniques. Bathurst: Crawford House, 1994.Google Scholar
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Further reading
Arnold, Janet. Patterns of Fashion. Vol. 1: The Cut and Construction of Clothes for Men and Women, c. 1560–1620. London: Macmillan, 1985.Google Scholar
Hentschell, Roze. The Culture of Cloth in Early Modern England: Textual Constructions of a National Identity. Aldershot: Ashgate, 2008.Google Scholar
Jenkins, D., ed. The Cambridge History of Western Textiles. Cambridge: Cambridge University Press, 2003.Google Scholar
Kerridge, Eric. Textile Manufactures in Early Modern England. Manchester: Manchester UP, 1985.Google Scholar