Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Introduction
- 51 Ornament
- 52 Single-Sheet Prints
- 53 Emblems
- 54 Architecture
- 55 Gardens
- 56 Sculpture
- 57 Painting on Wooden Panel
- 58 Decorative Arts
- 59 Tapestries
- 60 Painted Cloths
- 61 Triumphal Entries
- 62 Collecting
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
52 - Single-Sheet Prints
from Part VI - Visual Arts
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Introduction
- 51 Ornament
- 52 Single-Sheet Prints
- 53 Emblems
- 54 Architecture
- 55 Gardens
- 56 Sculpture
- 57 Painting on Wooden Panel
- 58 Decorative Arts
- 59 Tapestries
- 60 Painted Cloths
- 61 Triumphal Entries
- 62 Collecting
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 397 - 407Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Coryate, Thomas. Coryate’s crudities hastily gobled vp in five moneths trauells. London: William Stansby, 1611.Google Scholar
Griffiths, Antony. The Print in Stuart Britain, 1603–1689. London: British Museum Press, 1998.Google Scholar
Hind, Arthur M. Engraving in England in the Sixteenth and Seventeenth Centuries: A Descriptive Catalogue with Introductions. 3 vols. Cambridge: Cambridge University Press, 1952–64 [Vol. 1: The Tudor Period (1952); Vol. 2: The Reign of James I (1955); Vol. 3: The Reign of Charles I, compiled from Hind’s notes by M. Corbett and M. Norton (1964)].Google Scholar
Jones, Malcolm. “The Common Weales Canker Wormes, or the Locusts Both of Chvrch and States – Emblematic Identities in a Late Jacobean Print.” Printed Images in Early Modern Britain: Essays in Interpretation. Ed. Hunter, M.. Burlington: Ashgate, 2010. 193–214.Google Scholar
Jones, Malcolm. “The Dutch Cow” [Elizabethan political cartoon], appendix to article by M. Bath, “Dirtie Devises: Thomas Combe and the Metamorphosis of Ajax.” Emblematic Perceptions: Festschrift for William S. Heckscher. Ed. Daly, P. M. and Russell, D. S.. Baden-Baden: Verlag Valentin Koerner, 1997. 23–32.Google Scholar
Jones, Malcolm. The Print in Early Modern England: An Historical Oversight. New Haven: Yale UP, 2010.Google Scholar
Pierce, Helen. Unseemly Pictures, Graphic Satire, and Politics in Early Modern England. New Haven: Yale UP, 2009.Google Scholar
Further reading
Watt, Tessa. Cheap Print and Popular Piety, 1550–1640. Cambridge: Cambridge University Press, 1991.Google Scholar