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171 - Shakespeare Spin-offs

from Part XVIII - Shakespeare and Popular Culture

Published online by Cambridge University Press:  17 August 2019

By
Amy Scott-Douglass
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

adaptationappropriationburlesqueDavenant, WilliamfeministFletcher, JohnGarrick, Davidpoliticalspin-offTate, Nahum
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1281 - 1290
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

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Further reading

Burnett, Mark Thornton, Streete, Adrian, and Wray, Ramona, eds. The Edinburgh Companion to Shakespeare and the Arts. Edinburgh: Edinburgh UP, 2011.Google Scholar
Burt, Richard, ed. Shakespeares after Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture. 2 vols. Westport: Greenwood, 2007.Google Scholar
Burt, Richard, and Boose, Lynda E., eds. Shakespeare the Movie II: Popularizing the Plays on Film, TV, Video, and DVD. New York: Routledge, 2003.Google Scholar
Desmet, Christy, and Sawyer, Robert, eds. Shakespeare and Appropriation. New York: Routledge, 1999.Google Scholar
Fischlin, Daniel, and Fortier, Mark. Adaptations of Shakespeare: A Critical Anthology of Plays from the Seventeenth Century to the Present. New York: Routledge, 2000.Google Scholar
Kidnie, Margaret Jane. Shakespeare and the Problem of Adaptation. New York: Routledge, 2008.Google Scholar
Lanier, Douglas. Shakespeare and Modern Popular Culture. Oxford: Oxford UP, 2002.Google Scholar
Pittman, L. Monique. Authorizing Shakespeare on Film and Television: Gender, Class, and Ethnicity in Adaptation. New York: Peter Lang, 2011.Google Scholar
Thompson, Ayanna, and Newstok, Scott, eds. Wayward Macbeth: Non-traditional Casting and the African-American Experience. New York: Palgrave Macmillan, 2009.Google Scholar

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