Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
169 - Shakespeare and German Romanticism
from Part XVII - Shakespeare as Cultural Icon
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1254 - 1260Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Bate, Jonathan. “The Politics of Romantic Shakespearean Criticism: Germany, England, France.” European Romantic Review 1.1 (1990): 1–26.CrossRefGoogle Scholar
Grundmann, Heike. “Shakespeare and European Romanticism.” A Companion to European Romanticism. Ed. Ferber, Michael. Malden: Blackwell, 2005. 29–48.Google Scholar
Habicht, Werner. “The Romanticism of the Schlegel–Tieck Shakespeare and the History of Nineteenth-Century German Shakespeare Translation.” European Shakespeares: Translating Shakespeare in the Romantic Age. Ed. Delabatista, Dirk and D’hulst, Lieven. Amsterdam: Benjamins, 1993. 45–53.Google Scholar
Habicht, Werner. “Shakespeare and the German Imagination: Cult, Controversy, and Performance.” Shakespeare: World Views. Ed. Kerr, Heather, Eaden, Robin, and Mitton, Madge. Newark: U of Delaware P, 1996. 87–101.Google Scholar
Hubbs, V. C. “Tieck’s Romantic Fairytales and Shakespeare.” Studies in Romanticism 8 (1969): 229–34.Google Scholar
Larson, Kenneth E. “The Origins of the ‘Schlegel–Tieck’ Shakespeare in the 1820s.” German Quarterly 60.1 (1987): 19–37.Google Scholar
Moylan, Christopher. “The Idea of Therapeutic Theater in English and German Romanticism.” Text and Presentation: The Journal of the Comparative Drama Conference 14 (1993): 63–69.Google Scholar
Schlegel, August Wilhelm. “Ueber Shakespeare’s ‘Romeo und Julia.’” Die Horen 10.6 (1797): 18–48.Google Scholar
Schlegel, Friedrich. “Über nordische Dichtkunst.” Kritische Friedrich-Schlegel-Ausgabe. Ed. Behler, Ernst. Vol. 3. Munich: Schöningh, 1975. 220–49.Google Scholar