Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Introduction
- 196 Physical Structures
- 197 Acting Techniques
- 198 Costume
- 199 Scenery
- 200 Lighting
- 201 Sound Design
- 202 Visual Projections
- 203 Original Practices
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Introduction
from Part XX - Changing Technologies of Stage Performance
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Introduction
- 196 Physical Structures
- 197 Acting Techniques
- 198 Costume
- 199 Scenery
- 200 Lighting
- 201 Sound Design
- 202 Visual Projections
- 203 Original Practices
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1417 - 1426Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Baugh, Christopher. Theatre, Performance and Technology: The Development of Scenography in the Twentieth Century. Basingstoke: Palgrave Macmillan, 2005.Google Scholar
Broadhurst, Susan, and Machon, Josephine, eds. Performance and Technology: Practices of Virtual Embodiment and Interactivity. Basingstoke: Palgrave Macmillan, 2006.CrossRefGoogle Scholar
Cohen, Adam Max. Shakespeare and Technology: Dramatizing Early Modern Technological Revolutions. Basingstoke: Palgrave Macmillan, 2006.CrossRefGoogle Scholar
Dessen, Alan C. Elizabethan Drama and the Viewer’s Eye. Chapel Hill: U of North Carolina P, 1977.Google Scholar
Dessen, Alan C. Elizabethan Stage Conventions and Modern Interpreters. Cambridge: Cambridge University Press, 1984.CrossRefGoogle Scholar
Dessen, Alan C. Recovering Shakespeare’s Theatrical Vocabulary. Cambridge: Cambridge University Press, 1995.CrossRefGoogle Scholar
Sawday, Jonathan. Engines of the Imagination: Renaissance Culture and the Rise of the Machine. New York: Routledge, 2007.CrossRefGoogle Scholar