Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
162 - Global Diasporas as Reflected in the Work of Keng Sen Ong
from Part XVII - Shakespeare as Cultural Icon
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1212 - 1219Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Al-Bassam, Sulayman. The Al-Hamlet Summit: A Political Arabesque. Hatfield: U of Hertfordshire P, 2006.Google Scholar
Braziel, Jana Evans, and Mannur, Anita. “Nation, Migration, Globalization: Points of Contention in Diaspora Studies.” Theorizing Diaspora: A Reader. Oxford: Blackwell, 2003. 1–22.Google Scholar
Huang, Alexa. “Shakespeare and Translation.” The Edinburgh Companion to Shakespeare and the Arts. Ed. Burnett, Mark Thornton, Streete, Adrian, and Wray, Ramona. Edinburgh: Edinburgh U P, 2011. 68–87Google Scholar
Huang, Alexa. “‘What Country, Friends, Is This?’: Touring Shakespeares, Agency, and Efficacy in Theatre Historiography.” Theatre Survey 54.1 (2013): 51–85.CrossRefGoogle Scholar
Huang, Alexa. and Rivlin, Elizabeth, eds., Shakespeare and the Ethics of Appropriation. New York: Palgrave, 2014.CrossRefGoogle Scholar
Huang, Alexa, and Donaldson, Peter, eds., Global Shakespeares digital video archive, http://globalshakespeares.mit.edu/Google Scholar
Kennedy, Dennis, ed., Foreign Shakespeare: Contemporary Performance. Cambridge: Cambridge University Press, 1993.Google Scholar
Peterson, William. Theatre and the Politics of Culture in Contemporary Singapore. Middletown: Wesleyan UP, 2001.Google Scholar