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134 - Experiences of Performance: Firsthand Accounts of Theater

from Part XIV - Shakespeare’s Early Reception (to 1660)

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Beaumont, Francis. The Knight of the Burning Pestle. The Dramatic Works of the Beaumont and Fletcher Canon. Ed. Bowers, Fredson. 10 vols. Cambridge: Cambridge University Press, 1966. 1: 3110.Google Scholar
Chambers, E. K. William Shakespeare: A Study of Facts and Problems. 2 vols. Oxford: Clarendon, 1930.Google Scholar
Foakes, R. A. Illustrations of the English Stage, 1580–1642. Stanford: Stanford UP, 1985.Google Scholar
Graves, R. B. Lighting the Shakespearean Stage, 1567–1642. Carbondale: Southern Illinois UP, 1999.Google Scholar
Gurr, Andrew. Playgoing in Shakespeare’s London. Cambridge: Cambridge University Press, 1996.Google Scholar
Levin, Richard. “The Longleat Manuscript and Titus Andronicus.” Shakespeare Quarterly 53.3 (2002): 323–40.CrossRefGoogle Scholar
Middleton, Thomas. The Puritan. Thomas Middleton: The Collected Works. Ed. Taylor, Gary and Lavagnino, John. Oxford: Clarendon, 2007. 509–42.Google Scholar
Salgado, Gamini. Eyewitnesses of Shakespeare: First Hand Accounts of Performances, 1590–1890. London: Sussex UP, 1975.Google Scholar
Schlueter, June. “Rereading the Peacham Drawing.” Shakespeare Quarterly 50.2 (1999): 171–84.CrossRefGoogle Scholar
Shakespeare, William. Macbeth. Ed. Braunmuller, A. R.. Cambridge: Cambridge University Press, 1997.Google Scholar
Shakespeare, William. Titus Andronicus. Ed. Hughes, Alan. Rev. ed. Cambridge: Cambridge University Press, 2006.Google Scholar

Further reading

Bourne, Claire M. L.‘High Designe’: Beaumont and Fletcher Illustrated.” English Literary Renaissance 44.2 (2014): 275327.Google Scholar
Crosbie, Christopher. “The Longleat Manuscript Reconsidered: Shakespeare and the Sword of Lath.” English Literary Renaissance 44.2 (2014): 221–40.Google Scholar
Jakacki, Diane K.‘Canst Paint a Doleful Cry?’: Promotion and Performance in the Spanish Tragedy Title-Page Illustration.” Early Theatre 13.1 (2010): 1336.Google Scholar
Womack, Peter. “Nobody, Somebody and King Lear.” New Theatre Quarterly 23 (2007): 195207.CrossRefGoogle Scholar

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