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122 - Edward Alleyn and Philip Henslowe

from Part XIII - Shakespeare’s Fellows

Published online by Cambridge University Press:  17 August 2019

By
Susan P. Cerasano
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Abbot, George (archbishop of Canterbury)actorsAlleyn, Edmund (father of Edward Alleyn)Alleyn, EdwardAlleyn, Joan (wife of Edward Alleyn)Alleyn, John (brother of Edward Alleyn)Apology for ActorsBacon, Sir FrancisThe Battle of Alcazarbear baitingBedlam HospitalBlackfriars (place)Blackfriars (playhouse)1 Blind Beggar of Bednal GreenBrowne, RobertCaesar, Sir JuliusCarey, Sir GeorgeCharles, Prince (later Charles I)Cholmley, JohnClink Libertycoat of armsCoke, Sir EdwardDekker, ThomasDoctor Faustus (character)Donne, Constance (second wife of Edward Alleyn)Donne, JohnDulwich (place)Dulwich CollegeDyers CompanyEdgar (character)Edmondes, Sir ThomasElizabeth IentertainmententrepreneurshipFortunatusFortune (playhouse) (First and Second)1 Fortune’s TennisFuller, ThomasGlobe (playhouse)Golding LaneHenslowe, JohnHenslowe, PhilipHeywood, ThomasHogg, RalphHope (playhouse)Infanta of Spain (Lady Mary)Innkeepers CompanyinvestorsThe Isle of DogsJames I (James VI of Scotland)The Jew of MaltaJones, InigoJonson, BenA Knack to Know a KnaveLady Elizabeth’s MenLangley, FrancisLondonLord Admiral’s MenLord Sheffield’s MenLord Strange’s MenMarlowe, ChristopherMaster of the Bears, Bulls, and Mastiff DogsMaster of the Royal GameMeade, JacobThe Merchant of VeniceMiddlesexMiddleton, ThomasMuly Mahomet (character)Palsgrave’s MenPatient GrissellplaguePorter’s HallPrince Henry’s MenPrince of DenmarkPrivy CouncilPuddle WharfPye InnRose (playhouse)Rosseter, PhilipRoyal CourtRoyal OrdinanceSt. Botolph’s BishopsgateSt. Giles’s CripplegateSt. Paul’s CathedralSt. Saviour’s SouthwarkShylockThe Shomaker’s Holiday1 Sir John OldcastleSouthwarkstage machinerySussexSwan (playhouse)Tamburlaine (character)I, II Tamburlaine the Greatthe Theatre (playhouse)theater financierstheater managersTower of LondonWhitecross StreetWoodward, AgnesWoodward, JoanWright, James
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 928 - 934
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Bentley, G. E. The Jacobean and Caroline Stage. 7 vols. Oxford: Clarendon, 1941–68.Google Scholar
Cerasano, S. P. “Competition for the King’s Men? Alleyn’s Blackfriars Venture.” Medieval and Renaissance Drama in England 4 (1989): 173–86.Google Scholar
Cerasano, S. P. “Edward Alleyn.” Oxford Dictionary of National Biography. Oxford: Oxford UP, 2004. http://www.oxforddnb.com. Accessed 28 January 2012.CrossRefGoogle Scholar
Cerasano, S. P. “The Master of the Bears in Art and Enterprise.” Medieval and Renaissance Drama in England 5 (1991): 195–209.Google Scholar
Cerasano, S. P. “Philip Henslowe.” Oxford Dictionary of National Biography. Oxford: Oxford UP, 2004. http://www.oxforddnb.com. Accessed 28 January 2012.Google Scholar
Fleay, Frederick G. A Biographical Chronicle of the English Drama, 1599–1622. 2 vols. London: Reeves and Turner, 1891.Google Scholar
Foakes, R. A. Henslowe’s Diary. 2nd ed. Cambridge: Cambridge University Press, 2002.Google Scholar
Nathan, Norman. “Is Shylock Philip Henslowe?” Notes and Queries 193 (1948): 163–75.Google Scholar
Nungezer, Edwin. A Dictionary of Actors. New Haven: Yale UP, 1929.Google Scholar

Further reading

The original Henslowe-Alleyn manuscripts can be viewed at http://www.henslowe-alleyn.org.uk.

Bowsher, Julian, and Miller, Pat. The Rose and the Globe – Playhouses of Shakespeare’s Bankside, Southwark. London: Museum of London Archaeology, 2009.Google Scholar
Cerasano, S. P. “Edward Alleyn, the New Model Actor, and the Rise of the Celebrity in the 1590s.” Medieval and Renaissance Drama in England 18 (2005): 47–58.Google Scholar
Cerasano, S.P. “Edward Alleyn’s ‘Retirement.’” Shakespeare Studies 10 (1998): 99–109.Google Scholar
Cerasano, S.P. “The Geography of Henslowe’s Diary.” Shakespeare Quarterly 56.3 (2005): 328–53.CrossRefGoogle Scholar
Cerasano, S.P. “The Patronage Network of Philip Henslowe and Edward Alleyn.” Medieval and Renaissance Drama in England 13 (2001): 82–92.Google Scholar
Cerasano, S.P. “Philip Henslowe and the Elizabethan Court.” Shakespeare Studies 60 (2007): 49–57.Google Scholar
Cerasano, S.P. “Philip Henslowe, Simon Forman, and the Theatrical Community of the 1590s.” Shakespeare Quarterly 44.2 (1993): 145–58.Google Scholar
Cerasano, S.P. “Tamburlaine and Edward Alleyn’s Ring.” Shakespeare Survey 47 (1994): 171–79.Google Scholar
Chambers, E. K. The Elizabethan Stage. 4 vols. Oxford: Clarendon, 1923.Google Scholar
Greg, W. W. Henslowe Papers. London: A. H. Bullen, 1907.Google Scholar

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