Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Introduction
- 1 Space into Place
- 2 Maps and Map Literacy
- 3 Geographical Myths
- 4 Climate
- 5 City
- 6 Country
- 7 Court
- 8 Crossings and Communications
- 9 Globe/Theatrum Mundi
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
8 - Crossings and Communications
from Part I - Mapping Shakespeare’s World
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Introduction
- 1 Space into Place
- 2 Maps and Map Literacy
- 3 Geographical Myths
- 4 Climate
- 5 City
- 6 Country
- 7 Court
- 8 Crossings and Communications
- 9 Globe/Theatrum Mundi
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
Adams, FrankalmanacsAs You Like ItBanksideBlackfriars (playhouse)BritanniaBush, WilliamcarrierscoachesCymbelineThe Description of Englanddomestic travelEastward Ho!England. An Intended Guyde, For English TravailersFerris, RobertGlobe (playhouse)Grafton, RichardGrafton’s abridgement of the Chronicles of EnglandeHarrison, WilliamHenry IV, Part 1Henry VHenry VIIIhorsesHumors looking GlasseinnsKing LearJonson, BenKemp, WilliamKemps Nine Daies Wonder: Performed in a Daunce From London to Norwichlocal travelLondonMarkham, GervaseThe Merry Wives of WindsorA Midsummer Night’s DreammigrationmobilityNorden, JohnNorfolkNorwichOgilby, JohnPage, MatthewPlatter, Thomaspost (royal post)Rowland, SamuelSonnet 50Taylor, JohnThamestraveltravel guidesvagabondsThe Merry Wives of WindsorThe World runnes on WheelesWriting Tables with a Kalendar for xxiii.yeres
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 51 - 59Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Beir, A. L., and Finlay, Roger. London, 1500–1700: The Making of the Metropolis. London: Longman, 1986.Google Scholar
Delano-Smith, Catherine. “Milieus of Mobility: Itineraries, Route Maps, and Road Maps.” Ed. Akerman, James R.. Cartographies of Travel and Navigation. Chicago: U of Chicago P, 2006.Google Scholar
Grantley, Darryll. London in Early Modern English Drama: Representing the Built Environment. New York: Palgrave Macmillan, 2008.CrossRefGoogle Scholar
Griffiths, Paul, and Jenner, Mark S. R., eds. Londinpolis: Essays in the Cultural and Social History of Early Modern London. Manchester: Manchester UP, 2001.Google Scholar
Kinney, Arthur, ed. Rogues, Vagabonds, and Sturdy Beggars: A New Gallery of Tudor and Early Stuart Rogue Literature. Amherst: U of Massachusetts P, 1990.Google Scholar
Maquerlot, Jean Pierre, and Willems, Michèle. Travel and Drama in Shakespeare’s Time. Cambridge: Cambridge University Press, 1996.CrossRefGoogle Scholar
Mullaney, Steven. The Place of the Stage: License, Play, and Power in Renaissance England. Ann Arbor: U of Michigan P, 1995.CrossRefGoogle Scholar
Sullivan, Garrett. The Drama of Landscape: Land, Property, and Social Relations on the Early Modern Stage. Stanford: Stanford UP, 1999.Google Scholar