Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Introduction
- 1 Space into Place
- 2 Maps and Map Literacy
- 3 Geographical Myths
- 4 Climate
- 5 City
- 6 Country
- 7 Court
- 8 Crossings and Communications
- 9 Globe/Theatrum Mundi
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
6 - Country
from Part I - Mapping Shakespeare’s World
Published online by Cambridge University Press: 17 August 2019
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Introduction
- 1 Space into Place
- 2 Maps and Map Literacy
- 3 Geographical Myths
- 4 Climate
- 5 City
- 6 Country
- 7 Court
- 8 Crossings and Communications
- 9 Globe/Theatrum Mundi
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 40 - 45Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Foakes, R. A., and Rickert, R. T., eds. Henslowe’s Diary, Edited with Supplementary Material, Introduction and Notes. Cambridge: Cambridge University Press, 1961.Google Scholar
Heinemann, Margot. “How Brecht Read Shakespeare.” Political Shakespeare: New Essays in Cultural Materialism. Ed. Dollimore, Jonathan and Sinfield, Alan. Manchester: Manchester UP, 1985. 202–30.Google Scholar
Quarmby, Kevin. “‘As the Cony That You See’: Rosalind’s Risqué Rabbits in As You Like It.” Shakespeare 6 (2010): 153–64.Google Scholar
Sokol, B. J. “A Warwickshire Scandal: Sir Thomas Lucy and the Date of The Merry Wives of Windsor.” Shakespeare 5 (2009): 355–71.CrossRefGoogle Scholar
Taylor, Gary. “Shakespeare’s Mediterranean Measure for Measure.” Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress at Valencia 2001. Ed. Clayton, Tom, Brock, Susan, and Fores, Vicente. Newark: U of Delaware P, 2004. 243–69.Google Scholar
Watson, Robert N. Back to Nature: The Green and the Real in the Late Renaissance. Philadelphia: U of Pennsylvania P, 2006.Google Scholar
Further reading
Berry, Edward. Shakespeare and the Hunt: A Cultural and Social Study. Cambridge: Cambridge University Press, 2001.Google Scholar
Fitter, Chris. Poetry, Space, Landscape: Towards a New Theory. Cambridge: Cambridge University Press, 1995.Google Scholar
Klein, Bernhard. Maps and the Writing of Space in Early Modern England and Ireland. Basingstoke: Palgrave, 2001.CrossRefGoogle Scholar
Nicolson, Marjorie Hope. Mountain Gloom and Mountain Glory: The Development of the Aesthetics of the Infinite. Ithaca: Cornell UP, 1959.Google Scholar
Sullivan, Garrett A. The Drama of Landscape: Land, Property, and Social Relations on the Early Modern Stage. Stanford: Stanford UP, 1998.Google Scholar