Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Introduction
- 10 European Theater Scene
- 11 Players and the Playing Business
- 12 Playhouses
- 13 Audiences and Playgoing
- 14 Properties
- 15 Costumes
- 16 Cosmetics
- 17 Playwriting
- 18 Production Processes
- 19 Stage Directions and the Stage Space
- 20 Music
- 21 The Prehistory of Shakespearean Theater
- 22 Entertainments: Baiting, Dances, Contests
- 23 Court Masques
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
15 - Costumes
from Part II - Theater
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Introduction
- 10 European Theater Scene
- 11 Players and the Playing Business
- 12 Playhouses
- 13 Audiences and Playgoing
- 14 Properties
- 15 Costumes
- 16 Cosmetics
- 17 Playwriting
- 18 Production Processes
- 19 Stage Directions and the Stage Space
- 20 Music
- 21 The Prehistory of Shakespearean Theater
- 22 Entertainments: Baiting, Dances, Contests
- 23 Court Masques
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
Alleyn, Edwardantitheatrical polemicistsBerry, HerbertBessell, Jaqblue gownboy playerbroadside balladBruster, DesdemonadisguiseDouglasdoublingDustagheer, SarahElizabeth IFarthingaleFoakes, Reginaldfrons scaenaegenderGosson, StephenGurr, AndrewhairHamlethatHenslowe, PhilipHenslowe’s DiaryHolmes, MartinHoward, JeanHyland, Peterindoor playhouseIngram, WilliamjewelryKing LearKinney, ArthurMadnessMeasure for MeasureNational Theatre, LondonOthelloPeacham, Sir Henry“Peacham” drawingPlatter, ThomasPromos and Cassandrapublic playhousePuritanrabatoRichard IIRichard IIIRoman playsruffRylance, MarkThe School of Abuseshoessumptuary lawsswordtailorThe Taming of the ShrewtasteThomas of WoodstockTiramani, Jennytiretiremantiring houseTitus Andronicusthe Tudor GroupTwelfth Nightwedding dressWeimann, RobertWickham, Glynneyellow stockings (Malvolio’s in Twelfth Night)
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 105 - 112Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Bailey, Amanda. Flaunting: Style and the Subversive Male Body in Renaissance England. Toronto: U of Toronto P, 2007.Google Scholar
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Orgel, Stephen. “Seeing through Costume.” Costume et deguisement dans le theatre de Shakespeare et de ses contemporains. Eds. Kapitaniak, Pierre and Déprats, Jean-Michel. Actes des congrès de la Société française Shakespeare 26. Paris: Société française Shakespeare, 2008. 87–106. http://www.societefrancaiseshakespeare.org/document.php?id=1461.Google Scholar
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