Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Introduction
- 245 Rhetoric, Form, Aesthetics
- 246 Philosophy, Ethics, Morality
- 247 The Linguistic Turn and the Cultural Turn
- 248 Character and Psychoanalytic Criticism
- 249 Biography and Autobiography
- 250 Materialist and Political Criticism
- 251 Identity and Subjectivity
- 252 Performance, Perception, Reception
- 253 Cognition and Affect
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
248 - Character and Psychoanalytic Criticism
from Part XXV - Shakespeare and the Critics
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Introduction
- 245 Rhetoric, Form, Aesthetics
- 246 Philosophy, Ethics, Morality
- 247 The Linguistic Turn and the Cultural Turn
- 248 Character and Psychoanalytic Criticism
- 249 Biography and Autobiography
- 250 Materialist and Political Criticism
- 251 Identity and Subjectivity
- 252 Performance, Perception, Reception
- 253 Cognition and Affect
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1761 - 1768Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest. New York: Routledge, 1992.Google Scholar
Daniel, Drew. The Melancholy Assemblage: Affect and Epistemology in the English Renaissance. New York: Fordham UP, 2013.CrossRefGoogle Scholar
Fineman, Joel. The Subjectivity Effect in Western Literary Tradition: Essays Towards the Release of Shakespeare’s Will. Cambridge: MIT P, 1991.Google Scholar
Schwartz, Murray, and Kahn, Coppélia, eds. Representing Shakespeare: New Psychoanalytic Essays. Baltimore: Johns Hopkins UP, 1980.Google Scholar