Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-22T19:06:37.405Z Has data issue: false hasContentIssue false

7 - William Carlos Williams and the prose of pure experience

Published online by Cambridge University Press:  05 June 2016

Christopher MacGowan
Affiliation:
College of William and Mary, Virginia
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works cited

Boone, April. “William Carlos Williams’s The Great American Novel: Flamboyance and the Beginning of Art.William Carlos Williams Review. 26.1 Spring 2006. 125.CrossRefGoogle Scholar
Bremen, Brian. William Carlos Williams and the Diagnostics of Culture. Oxford University Press. New York. 1993.CrossRefGoogle Scholar
Chatlos, Jon. “A New Mimesis: Unbinding Textual Possibilities in William Carlos Williams’s ‘Composition.’William Carlos Williams Review. 28.1–2 Spring/Fall 2008. 115.CrossRefGoogle Scholar
Cohen, Milton A.Stumbling into Crossfire: William Carlos Williams, Partisan Review, and the Left in the 1930s.Journal of Modern Literature. 32.2 2009. 143158.CrossRefGoogle Scholar
Conrad, Bryce. Refiguring America. University of Illinois Press. Urbana. 1990.Google Scholar
Copestake, Ian, ed. Rigor of Beauty: Essays in Commemoration of William Carlos Williams. Peter Lang. Bern. 2004.Google Scholar
Doyle, Charles, ed. William Carlos Williams: The Critical Heritage. Routledge Keegan Paul. London. 1980.Google Scholar
Emerson, Ralph Waldo. Essays & Lectures. Library of America. New York. 1983.Google Scholar
Gish, Robert F. William Carlos Williams: A Study of the Short Fiction. Twayne. Boston. 1989.Google Scholar
von Hallberg, Robert. “The Politics of Description: W.C. Williams in the Thirties.English Literary History. 45.1 Spring 1978. 131151.CrossRefGoogle Scholar
Halpert, Stephen and Johns, Richard. A Return to Pagany 1929–1932. Beacon Press. Boston. 1969.Google Scholar
Halter, Peter. The Revolution in the Visual Arts and the Poetry of William Carlos Williams. Cambridge University Press. Cambridge. 1994.Google Scholar
James, William. The Writings of William James: A Comprehensive Edition. Edited by McDermott, John J.. University of Chicago Press. Chicago. 1977.Google Scholar
Montiero, George. “Williams in the 1930’s: Three New Reviews and a Paragraph on His Literary Income.William Carlos Williams Review. 23.2 Fall 1997. 5359.Google Scholar
Morris, Daniel. The Writings of William Carlos Williams: Publicity for the Self. University of Missouri Press. Columbia. 1995.Google Scholar
Perloff, Marjorie. The Poetics of Indeterminacy. Princeton University Press. Princeton. 1981.Google Scholar
Peterson, Jeffrey. “ ‘A Laboratory … for Dissociations’: Approaching Williams’s Automatic Writing.” William Carlos Williams Review. 22.1 Spring 1996. 2943.Google Scholar
Poirier, Richard. Poetry and Pragmatism. Harvard University Press. Cambridge. 1992.Google Scholar
Poirier, Richard. The Renewal of Literature: Emersonian Reflections. Random House. New York. 1987.Google Scholar
Rozendal, Michael. “Forms of Need: William Carlos Williams in the Radical Thirties Little Journals.” William Carlos Williams Review. 27.2 Fall 2007. 137155.CrossRefGoogle Scholar
Tashjian, Dickran. “Williams and Automatic Writing: Against the Presence of Surrealism.William Carlos Williams Review. 22.1 Spring 1996. 516.Google Scholar
Thoreau, Henry David. A Week, Walden, The Maine Woods, Cape Cod. Library of America. New York. 1985.Google Scholar
Weaver, Mike. William Carlos Williams: The American Background. Cambridge University Press. Cambridge. 1971.Google Scholar
Whitman, Walt. Leaves of Grass. Dover. Mineola. 2007.Google Scholar
Williams, William Carlos. The Build-Up. Random House. New York. 1952.Google Scholar
Williams, William Carlos. Correspondence. Beinecke Library. ZaWilliams 295.Google Scholar
Williams, William Carlos. In The Money. New Directions. Norfolk, CT. 1940.Google Scholar
Williams, William Carlos. “A Note by the Author.” Beinecke Library. Uncat. ZA Williams, W.C. File 111.Google Scholar
Williams, William Carlos. White Mule. New Directions. Norfolk, CT. 1937.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×