Book contents
- Frontmatter
- Introduction
- 1 Walter Benjamin and the European avant-garde
- 2 Art forms
- 3 Language and mimesis in Walter Benjamin’s work
- 4 Walter Benjamin’s concept of cultural history
- 5 Benjamin’s modernity
- 6 Benjamin and psychoanalysis
- 7 Benjamin and the ambiguities of Romanticism
- 8 Body politics
- 9 Method and time
- 10 Benjamin’s phantasmagoria
- 11 Acts of self-portraiture
- Guide to further reading
- Index
- Series List
Introduction
Reading Benjamin
Published online by Cambridge University Press: 28 May 2006
- Frontmatter
- Introduction
- 1 Walter Benjamin and the European avant-garde
- 2 Art forms
- 3 Language and mimesis in Walter Benjamin’s work
- 4 Walter Benjamin’s concept of cultural history
- 5 Benjamin’s modernity
- 6 Benjamin and psychoanalysis
- 7 Benjamin and the ambiguities of Romanticism
- 8 Body politics
- 9 Method and time
- 10 Benjamin’s phantasmagoria
- 11 Acts of self-portraiture
- Guide to further reading
- Index
- Series List
Summary
With the appearance of Harvard University Press's edition of Walter Benjamin's Selected Writings, the great range of this thinker, critic, social commentator, and theorist has become even more apparent in the English-speaking world. Making this range more readily available will undoubtedly prompt the discussion and understanding of Benjamin to move beyond the limited number of essays that have achieved canonical status wherever the name of Benjamin is evoked, particularly in Anglo-American criticism. Admittedly this access to a wider range of material in English will complicate the received picture of Benjamin even as it offers greater scope to track the development of his thought and the concepts through which it was expressed. In many ways, this Cambridge Companion has been edited with a view to providing a guide to the concepts and issues that will come under scrutiny as this fuller evaluation of Benjamin's thought gets under way within the English-language interpretation of his writings.
The organization of the volume has been guided by two concerns. First, to achieve an adequate account of key elements in Benjamin’s thought and, second, to place these elements in relation to each other so that the shifting emphases and material through which Benjamin developed his thinking can be discerned. The organization is then thematic, taking up issues that traverse Benjamin’s writing. While every attempt has been made to be comprehensive, the essays commissioned for this volume do not exhaust the wealth of interest in philosophical, cultural, theological, or historical materials exhibited by this critic.
- Type
- Chapter
- Information
- The Cambridge Companion to Walter Benjamin , pp. 1 - 17Publisher: Cambridge University PressPrint publication year: 2004
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