Book contents
- Frontmatter
- Contents
- Notes on contributors
- Chronology
- Introduction
- 1 The Victorian novel and its readers
- 2 The business of Victorian publishing
- 3 A history of criticism of the Victorian novel
- 4 Victorian realism
- 5 Intellectual debate in the Victorian novel
- 6 Race and the Victorian novel
- 7 Social class and the Victorian novel
- 8 When gender meets sexuality in the Victorian novel
- 9 Victorian feelings
- 10 Sensation and the fantastic in the Victorian novel
- 11 The transatlantic novel in the nineteenth century
- Guide to further reading
- Index
- References
8 - When gender meets sexuality in the Victorian novel
Published online by Cambridge University Press: 05 December 2012
- Frontmatter
- Contents
- Notes on contributors
- Chronology
- Introduction
- 1 The Victorian novel and its readers
- 2 The business of Victorian publishing
- 3 A history of criticism of the Victorian novel
- 4 Victorian realism
- 5 Intellectual debate in the Victorian novel
- 6 Race and the Victorian novel
- 7 Social class and the Victorian novel
- 8 When gender meets sexuality in the Victorian novel
- 9 Victorian feelings
- 10 Sensation and the fantastic in the Victorian novel
- 11 The transatlantic novel in the nineteenth century
- Guide to further reading
- Index
- References
Summary
During the Victorian period, the novel confronted a new definition of human nature that challenged Enlightenment models of individualism. Across a swath of disciplines – not only biology and natural history, but sociology, psychology, theology, moral philosophy, and political economy as well – liberal individualism struggled with the problem of man as a population or species. Writing in a form that had traditionally aimed at forming a household that would in turn reproduce self-governing individuals, Victorian novelists could hardly avoid this problem. To maintain the novel’s preeminence, they had to maintain the individual’s viability in a milieu newly hostile to individualism. Victorian novelists of all stripes responded to this challenge by staging the conflict between individual and species as a conflict between gender and sexuality. In carrying the novel into new areas of modern social and not-so-social life, they also broke it into pieces when serialization began. This change in the mode of publication coincided with the novel’s formal fragmentation into multiple narrators and plots, none of which had an exclusive purchase on truth. As a genre, moreover, the novel devolved into such subgenres as detective fiction, gothic fiction, children’s literature, adventure stories, the novels of the romance revival, and sensation novels, all of which reveal how gender relations – and by proxy liberal society – fail either to encompass or to exclude the populations on which the middle classes were coming to depend. An account of gender and sexuality in the Victorian novel is consequently an account of a conflict that did not yield satisfying resolutions so much as a variety of memorable failures.
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- The Cambridge Companion to the Victorian Novel , pp. 170 - 192Publisher: Cambridge University PressPrint publication year: 2012