Book contents
- The Cambridge Companion to the Singer-Songwriter
- The Cambridge Companion to The Singer-Songwriter
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Contributors
- Acknowledgements
- Introduction
- Part I Establishing a tradition
- Part II Individuals
- Part III Men and women
- 18 Gender, race, and the ma(s)king of ‘Joni Mitchell’
- 19 Gender, genre, and diversity at Lilith Fair
- 20 Changing openness and tolerance towards LGBTQ singer-songwriters
- 21 Tori Amos as shaman
- 22 Gender identity, the queer gaze, and female singer-songwriters
- 23 The female singer-songwriter in the 1990s
- Part IV Frameworks and methods
- Part V Global perspectives
- Select Bibliography
- Index
- Cambridge Companions to Music
18 - Gender, race, and the ma(s)king of ‘Joni Mitchell’
from Part III - Men and women
Published online by Cambridge University Press: 05 July 2016
- The Cambridge Companion to the Singer-Songwriter
- The Cambridge Companion to The Singer-Songwriter
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Contributors
- Acknowledgements
- Introduction
- Part I Establishing a tradition
- Part II Individuals
- Part III Men and women
- 18 Gender, race, and the ma(s)king of ‘Joni Mitchell’
- 19 Gender, genre, and diversity at Lilith Fair
- 20 Changing openness and tolerance towards LGBTQ singer-songwriters
- 21 Tori Amos as shaman
- 22 Gender identity, the queer gaze, and female singer-songwriters
- 23 The female singer-songwriter in the 1990s
- Part IV Frameworks and methods
- Part V Global perspectives
- Select Bibliography
- Index
- Cambridge Companions to Music
- Type
- Chapter
- Information
- The Cambridge Companion to the Singer-Songwriter , pp. 201 - 214Publisher: Cambridge University PressPrint publication year: 2016
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