Book contents
- The Cambridge Companion to the Harpsichord
- Cambridge Companions to Music
- The Cambridge Companion to the Harpsichord
- Copyright page
- Contents
- Figures
- Music Examples
- Contributors
- Acknowledgments
- Chronology
- Introduction
- 1 History and Construction of the Harpsichord
- 2 The Virginalists
- 3 England
- 4 The Netherlands and Northern Germany
- 5 Southern Germany and the Austro-Hungarian Empire to 1750
- 6 France
- 7 Italy
- 8 Portugal
- 9 Spain
- 10 Domenico Scarlatti in Portugal and Spain
- 11 Russia
- 12 The Nordic and Baltic Countries
- 13 The Harpsichord in Colonial Spanish and Portuguese America
- 14 Bach, Handel, and the Harpsichord
- 15 The Harpsichord in Ensemble
- 16 Contemporary Harpsichord Music
- 17 Tuning and Temperament
- Appendices
- Glossary
- Index
- References
2 - The Virginalists
Published online by Cambridge University Press: 05 January 2019
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Book contents
- The Cambridge Companion to the Harpsichord
- Cambridge Companions to Music
- The Cambridge Companion to the Harpsichord
- Copyright page
- Contents
- Figures
- Music Examples
- Contributors
- Acknowledgments
- Chronology
- Introduction
- 1 History and Construction of the Harpsichord
- 2 The Virginalists
- 3 England
- 4 The Netherlands and Northern Germany
- 5 Southern Germany and the Austro-Hungarian Empire to 1750
- 6 France
- 7 Italy
- 8 Portugal
- 9 Spain
- 10 Domenico Scarlatti in Portugal and Spain
- 11 Russia
- 12 The Nordic and Baltic Countries
- 13 The Harpsichord in Colonial Spanish and Portuguese America
- 14 Bach, Handel, and the Harpsichord
- 15 The Harpsichord in Ensemble
- 16 Contemporary Harpsichord Music
- 17 Tuning and Temperament
- Appendices
- Glossary
- Index
- References
- Type
- Chapter
- Information
- The Cambridge Companion to the Harpsichord , pp. 31 - 46Publisher: Cambridge University PressPrint publication year: 2019
References
Further Reading
Brown, Alan. “England,” in Keyboard Music before 1700, ed. Silbiger, Alexander. New York: Routledge, rev. 2004, pp. 23–146.Google Scholar
Caldwell, John. English Keyboard Music before the Nineteenth Century. Oxford: Oxford University Press, 1973.Google Scholar
Cunningham, Walker. The Keyboard Music of John Bull. Ann Arbor, MI: UMI Research Press, 1984.Google Scholar
Harley, John. British Harpsichord Music. 2 volumes. Aldershot: Scolar Press, 1992–1994.Google Scholar
Neighbour, Oliver. The Consort and Keyboard Music of William Byrd. London: Faber & Faber, 1978.Google Scholar
Smith, David J. The Instrumental Music of Peter Philips. PhD dissertation. Oxford, 1994.Google Scholar
von Streit, Anna Elisabeth. Pavanen und Galliarden in der englischen Virginalmusik des ausgehenden 16. und beginnenden 17. Jahrhunderts. PhD dissertation. Augsburg, 1998.Google Scholar