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Further Reading

Published online by Cambridge University Press:  11 May 2023

Edited by
Michael J. Collins  and
Gavin Jones
Michael J. Collins
Affiliation:
King's College London
Gavin Jones
Affiliation:
Stanford University
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The Cambridge Companion to the American Short Story , pp. 363 - 371
Publisher: Cambridge University Press
Print publication year: 2023

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References

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Secondary Sources

Achilles, Jochen and Bergmann, Ina. 2015. Liminality and the Short Story: Boundary Crossings in American, Canadian, and British Writing. New York: Routledge.Google Scholar
Boddy, Kasia. 2010. The American Short Story Since 1950. Edinburgh: Edinburgh University Press.Google Scholar
Brown, Julie, ed. 1995. American Women Short Story Writers: A Collection of Critical Essays. New York: Garland Publishing.Google Scholar
Cocchiarale, Michael and Emmert, Scott, eds. 2015. Critical Insights: American Short Story. Ipswich, MA: Salem Press.Google Scholar
Collins, Michael J. 2016. The Drama of the American Short Story, 1800–1865. Ann Arbor: University of Michigan Press.Google Scholar
Current-García, Eugene. 1985. The American Short Story before 1850: A Critical History. Boston: Twayne.Google Scholar
Curnutt, Kirk. 1997. Wise Economies: Brevity and Storytelling in American Short Stories. Moscow: University of Idaho Press.Google Scholar
Delaney, Paul and Hunter, Adrian, eds. 2018. The Edinburgh Companion to the Short Story in English. Edinburgh: Edinburgh University Press.CrossRefGoogle Scholar
Einhaus, Ann-Marie, ed. 2016. The Cambridge Companion to the English Short Story. New York: Cambridge University Press.CrossRefGoogle Scholar
Eikhenbaum, Boris. 1968 [1925]. O. Henry and the Theory of the Short Story. Trans. Titunik, I. R.. Ann Arbor: University of Michigan Press.Google Scholar
Ermida, Isabel. 2008. The Language of Comic Narratives: Humor Construction in Short Stories. Berlin: Mouton de Gruyter.CrossRefGoogle Scholar
Farman, Jason, ed. 2014. The Mobile Story: Narrative Practices with Locative Technologies. New York: Routledge.Google Scholar
Fash, Lydia G. 2020. The Sketch, the Tale, and the Beginnings of American Literature. Charlottesville: University of Virginia Press.Google Scholar
Glass, Loren, ed. 2016. After the Program Era: The Past, Present, and Future of Creative Writing in the University. Iowa City: University of Iowa Press.Google Scholar
Gerlach, John C. 1985. Toward the End: Closure and Structure in the American Short Story. Tuscaloosa: University of Alabama Press.Google Scholar
Goyet, Florence. 2014. The Classic Short Story, 1870–1925: Theory of a Genre. Cambridge, UK: Open Book Publishers.Google Scholar
Harrington, Ellen Burton, ed. 2008. Scribbling Women and the Short Story Form: Approaches by American and British Women Writers. New York: Peter Lang.Google Scholar
Head, Dominic, ed. 2016. The Cambridge History of the English Short Story. New York: Cambridge University Press.Google Scholar
Hunter, Adrian, ed. 2007. The Cambridge Introduction to the Short Story in English. New York: Cambridge University Press.Google Scholar
Iftekharrudin, Farhat, Boyden, Joseph, Rohrberger, Mary, and Claudet, Jale, eds. 2003. The Postmodern Short Story: Forms and Issues. Westport, CT: Praeger.Google Scholar
Iftekharuddin, Farhat, Rohrberger, Mary, and Lee, Maurice, eds. 1997. Speaking of the Short Story: Interviews with Contemporary Writers. Jackson: University Press of Mississippi.Google Scholar
Levy, Andrew. 1993. The Culture and Commerce of the American Short Story. New York: Cambridge University Press.Google Scholar
Lohafer, Susan. 1983. Coming to Terms with the Short Story. Baton Rouge: Louisiana State University Press.Google Scholar
Lohafer, Susan. 2003. Reading for Storyness: Preclosure Theory, Empirical Poetics, and Culture in the Short Story. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Lohafer, Susan and Clarey, Jo Ellyn, eds. 1989. Short Story Theory at a Crossroads. Baton Rouge: Louisiana State University Press.Google Scholar
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May, Charles E., 1994. The New Short Story Theories. Athens: Ohio University Press.Google Scholar
May, Charles E., 1995. The Short Story: The Reality of Artifice. New York: Twayne.Google Scholar
McGurl, Mark. 2009. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press.Google Scholar
O’Connor, Frank. 1963. The Lonely Voice: A Study of the Short Story. Cleveland, OH: World Publishing Co.Google Scholar
Patea, Viorica, ed. 2012. Short Story Theories: A Twenty-First-Century Perspective. Amsterdam and New York: Rodopi.Google Scholar
Peden, William. 1964. The American Short Story: Front Line in the National Defense of Literature. Boston: Houghton Mifflin.Google Scholar
Peden, William. 1975. The American Short Story: Continuity and Change, 1940–1975. Boston: Houghton Mifflin.Google Scholar
Price, Kenneth M. and Smith, Susan Belasco, eds. 1995. Periodical Literature in Nineteenth-Century America. Charlottesville: University Press of Virginia.Google Scholar
Rohrberger, Mary. 1996. Hawthorne and the Modern Short Story: A Study in Genre. The Hague: Mouton.Google Scholar
Scofield, Martin. 2006. The Cambridge Introduction to the American Short Story. New York: Cambridge University Press.Google Scholar
Smith, Jennifer. 2018. The American Short Story Cycle. Edinburgh: Edinburgh University Press.Google Scholar
Stevick, Philip, ed. 1984. The American Short Story, 1900–1945: A Critical History. Boston: Twayne.Google Scholar
Tallack, Douglas. 1993. The Nineteenth-Century American Short Story: Language, Form, and Ideology. New York: Routledge.Google Scholar
Winther, Per, Lothe, Jakob, and Skei, Hans H.. 2004. The Art of Brevity: Excursions in Short Fiction Theory and Analysis. Columbia: South Carolina Press.Google Scholar
Young, Emma. 2018. Contemporary Feminism and Women’s Short Stories. Edinburgh: Edinburgh University Press.Google Scholar
American Short Fiction. University of Texas Press.Google Scholar
Short Story. Society for the Study of the Short Story.Google Scholar
Studies in the American Short Story. Penn State University Press.Google Scholar
Studies in Short Fiction. Newberry College.Google Scholar
Baker, Harry Torsey. 1916. The Contemporary Short Story: A Practical Manual. Boston: D. C. Heath and Co.Google Scholar
Barrett, Charles Raymond. 1898. Short Story Writing: A Practical Treatise on the Art of the Short Story. Chicago: Authors and Writers’ Union.Google Scholar
Blackiston, Elliott. 1946. Short Story Writing for Profit. Boston: The Writer, Inc.Google Scholar
Chester, George Randolph. 1910. The Art of Short Story Writing. Cincinnati, OH: The Publishers Syndicate.Google Scholar
Cody, Sherwin. 1895. How to Write Fiction, Especially the Art of Short Story Writing: A Practical Study of Technique. London: Bellairs and Co.Google Scholar
Cook, William Wallace. 1941. Plotto: A New Method of Plot Suggestion for Writers of Creative Fiction. Battle Creek, MI: Ellis Publishing Co.Google Scholar
Dye, Charity. 1898. The Story-Teller’s Art: A Guide to the Elementary Study of Fiction. Boston: The Athenaeum Press.Google Scholar
Eaton, Harold Thomas. 1934. Short Stories for Study and Enjoyment. Garden City, NY: Doubleday, Doran.Google Scholar
Esenwein, J. Berg. 1909. Writing the Short-Story: A Practical Handbook on the Rise, Structure, Writing, and Sale of the Modern Short-Story. Springfield, MA: Home Correspondence School.Google Scholar
Fagin, N. Bryllion. 1923. Short Story-Writing, An Art or a Trade? New York: T. Seltzer, Inc.Google Scholar
Gavin, Marian. 1962. Writing Short Stories for Pleasure and Profit. Boston: The Writer, Inc.Google Scholar
Gerwig, George W. 1909. The Art of the Short Story. Akron, OH: The Werner Company.Google Scholar
Grabo, Carl H. 1913. The Art of the Short Story. New York: Charles Scribner’s Sons.Google Scholar
Hamilton, Clayton. 1918. A Manual of the Art of Fiction. Garden City, NY: Doubleday, Page, and Co.Google Scholar
Joseph, Michael. 1924. Short Story-Writing for Profit. Boston: Small, Maynard, and Company.Google Scholar
Kamerman, Sylvia E. 1946. Writing the Short Short Story. Boston: The Writer.Google Scholar
Louthan, Hattie Horner. 1930. The Short-Story Craftsman: The Rhetoric of Short Fiction. Denver: The World Press, Inc.Google Scholar
Mirrielees, Edith Ronald. 1929. Writing the Short Story. Garden City, NY: Doubleday, Doran and Co.Google Scholar
Neal, Robert Wilson. 1914. Short Stories in the Making. New York: Oxford University Press.Google Scholar
Pitkin, Walter B. 1922. The Art and the Business of Story Writing. New York: The Macmillan Co.Google Scholar
Smith, Louis Worthington. 1902. The Writing of the Short Story. Boston: D. C. Heath and Co.Google Scholar
Wells, Carolyn. 1913. The Technique of the Mystery Story. Springfield, MA: Home Correspondence School.Google Scholar
Williams, Blanche Colton. 1917. A Handbook on Story Writing. London: George Routledge and Sons.Google Scholar
Williams, Blanche Colton. 1919. How to Study “The Best Short Stories.” Boston: Small, Maynard, and Company.Google Scholar
Davies, Peter Ho. 2021. The Art of Revision: The Last Word. Minneapolis, MN: Graywolf Press.Google Scholar
DeMarinis, Rick. 2000. The Art and Craft of the Short Story. Cincinnati, OH: Story Press.Google Scholar
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Hills, Rust. 1987. Writing in General and the Short Story in Particular: An Informal Textbook. Revised ed. Boston: Houghton Mifflin.Google Scholar
Koch, Stephen. 2003. The Modern Library Writer’s Workshop: A Guide to the Craft of Fiction. New York: Modern Library.Google Scholar
Salesses, Matthew. 2021. Craft in the Real World: Rethinking Fiction Writing and Workshopping. New York: Catapult.Google Scholar
Saunders, George. 2021. A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life. New York: Random House.Google Scholar
Tin House Publishing. 2009. The Writer’s Notebook: Craft Essays from Tin House. Portland, OR: Tin House Books.Google Scholar
Tin House Publishing. 2012. The Writer’s Notebook II: Craft Essays from Tin House. Portland, OR: Tin House Books.Google Scholar
Wood, James. 2008. How Fiction Works. London: Jonathan Cape.Google Scholar
Achilles, Jochen and Bergmann, Ina. 2015. Liminality and the Short Story: Boundary Crossings in American, Canadian, and British Writing. New York: Routledge.Google Scholar
Boddy, Kasia. 2010. The American Short Story Since 1950. Edinburgh: Edinburgh University Press.Google Scholar
Brown, Julie, ed. 1995. American Women Short Story Writers: A Collection of Critical Essays. New York: Garland Publishing.Google Scholar
Cocchiarale, Michael and Emmert, Scott, eds. 2015. Critical Insights: American Short Story. Ipswich, MA: Salem Press.Google Scholar
Collins, Michael J. 2016. The Drama of the American Short Story, 1800–1865. Ann Arbor: University of Michigan Press.Google Scholar
Current-García, Eugene. 1985. The American Short Story before 1850: A Critical History. Boston: Twayne.Google Scholar
Curnutt, Kirk. 1997. Wise Economies: Brevity and Storytelling in American Short Stories. Moscow: University of Idaho Press.Google Scholar
Delaney, Paul and Hunter, Adrian, eds. 2018. The Edinburgh Companion to the Short Story in English. Edinburgh: Edinburgh University Press.CrossRefGoogle Scholar
Einhaus, Ann-Marie, ed. 2016. The Cambridge Companion to the English Short Story. New York: Cambridge University Press.CrossRefGoogle Scholar
Eikhenbaum, Boris. 1968 [1925]. O. Henry and the Theory of the Short Story. Trans. Titunik, I. R.. Ann Arbor: University of Michigan Press.Google Scholar
Ermida, Isabel. 2008. The Language of Comic Narratives: Humor Construction in Short Stories. Berlin: Mouton de Gruyter.CrossRefGoogle Scholar
Farman, Jason, ed. 2014. The Mobile Story: Narrative Practices with Locative Technologies. New York: Routledge.Google Scholar
Fash, Lydia G. 2020. The Sketch, the Tale, and the Beginnings of American Literature. Charlottesville: University of Virginia Press.Google Scholar
Glass, Loren, ed. 2016. After the Program Era: The Past, Present, and Future of Creative Writing in the University. Iowa City: University of Iowa Press.Google Scholar
Gerlach, John C. 1985. Toward the End: Closure and Structure in the American Short Story. Tuscaloosa: University of Alabama Press.Google Scholar
Goyet, Florence. 2014. The Classic Short Story, 1870–1925: Theory of a Genre. Cambridge, UK: Open Book Publishers.Google Scholar
Harrington, Ellen Burton, ed. 2008. Scribbling Women and the Short Story Form: Approaches by American and British Women Writers. New York: Peter Lang.Google Scholar
Head, Dominic, ed. 2016. The Cambridge History of the English Short Story. New York: Cambridge University Press.Google Scholar
Hunter, Adrian, ed. 2007. The Cambridge Introduction to the Short Story in English. New York: Cambridge University Press.Google Scholar
Iftekharrudin, Farhat, Boyden, Joseph, Rohrberger, Mary, and Claudet, Jale, eds. 2003. The Postmodern Short Story: Forms and Issues. Westport, CT: Praeger.Google Scholar
Iftekharuddin, Farhat, Rohrberger, Mary, and Lee, Maurice, eds. 1997. Speaking of the Short Story: Interviews with Contemporary Writers. Jackson: University Press of Mississippi.Google Scholar
Levy, Andrew. 1993. The Culture and Commerce of the American Short Story. New York: Cambridge University Press.Google Scholar
Lohafer, Susan. 1983. Coming to Terms with the Short Story. Baton Rouge: Louisiana State University Press.Google Scholar
Lohafer, Susan. 2003. Reading for Storyness: Preclosure Theory, Empirical Poetics, and Culture in the Short Story. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Lohafer, Susan and Clarey, Jo Ellyn, eds. 1989. Short Story Theory at a Crossroads. Baton Rouge: Louisiana State University Press.Google Scholar
March-Russell, Paul. 2009. The Short Story: An Introduction. Edinburgh: Edinburgh University Press.Google Scholar
May, Charles E., ed. 1976. Short Story Theories. Athens: Ohio University Press.Google Scholar
May, Charles E., 1994. The New Short Story Theories. Athens: Ohio University Press.Google Scholar
May, Charles E., 1995. The Short Story: The Reality of Artifice. New York: Twayne.Google Scholar
McGurl, Mark. 2009. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press.Google Scholar
O’Connor, Frank. 1963. The Lonely Voice: A Study of the Short Story. Cleveland, OH: World Publishing Co.Google Scholar
Patea, Viorica, ed. 2012. Short Story Theories: A Twenty-First-Century Perspective. Amsterdam and New York: Rodopi.Google Scholar
Peden, William. 1964. The American Short Story: Front Line in the National Defense of Literature. Boston: Houghton Mifflin.Google Scholar
Peden, William. 1975. The American Short Story: Continuity and Change, 1940–1975. Boston: Houghton Mifflin.Google Scholar
Price, Kenneth M. and Smith, Susan Belasco, eds. 1995. Periodical Literature in Nineteenth-Century America. Charlottesville: University Press of Virginia.Google Scholar
Rohrberger, Mary. 1996. Hawthorne and the Modern Short Story: A Study in Genre. The Hague: Mouton.Google Scholar
Scofield, Martin. 2006. The Cambridge Introduction to the American Short Story. New York: Cambridge University Press.Google Scholar
Smith, Jennifer. 2018. The American Short Story Cycle. Edinburgh: Edinburgh University Press.Google Scholar
Stevick, Philip, ed. 1984. The American Short Story, 1900–1945: A Critical History. Boston: Twayne.Google Scholar
Tallack, Douglas. 1993. The Nineteenth-Century American Short Story: Language, Form, and Ideology. New York: Routledge.Google Scholar
Winther, Per, Lothe, Jakob, and Skei, Hans H.. 2004. The Art of Brevity: Excursions in Short Fiction Theory and Analysis. Columbia: South Carolina Press.Google Scholar
Young, Emma. 2018. Contemporary Feminism and Women’s Short Stories. Edinburgh: Edinburgh University Press.Google Scholar
American Short Fiction. University of Texas Press.Google Scholar
Short Story. Society for the Study of the Short Story.Google Scholar
Studies in the American Short Story. Penn State University Press.Google Scholar
Studies in Short Fiction. Newberry College.Google Scholar
Baker, Harry Torsey. 1916. The Contemporary Short Story: A Practical Manual. Boston: D. C. Heath and Co.Google Scholar
Barrett, Charles Raymond. 1898. Short Story Writing: A Practical Treatise on the Art of the Short Story. Chicago: Authors and Writers’ Union.Google Scholar
Blackiston, Elliott. 1946. Short Story Writing for Profit. Boston: The Writer, Inc.Google Scholar
Chester, George Randolph. 1910. The Art of Short Story Writing. Cincinnati, OH: The Publishers Syndicate.Google Scholar
Cody, Sherwin. 1895. How to Write Fiction, Especially the Art of Short Story Writing: A Practical Study of Technique. London: Bellairs and Co.Google Scholar
Cook, William Wallace. 1941. Plotto: A New Method of Plot Suggestion for Writers of Creative Fiction. Battle Creek, MI: Ellis Publishing Co.Google Scholar
Dye, Charity. 1898. The Story-Teller’s Art: A Guide to the Elementary Study of Fiction. Boston: The Athenaeum Press.Google Scholar
Eaton, Harold Thomas. 1934. Short Stories for Study and Enjoyment. Garden City, NY: Doubleday, Doran.Google Scholar
Esenwein, J. Berg. 1909. Writing the Short-Story: A Practical Handbook on the Rise, Structure, Writing, and Sale of the Modern Short-Story. Springfield, MA: Home Correspondence School.Google Scholar
Fagin, N. Bryllion. 1923. Short Story-Writing, An Art or a Trade? New York: T. Seltzer, Inc.Google Scholar
Gavin, Marian. 1962. Writing Short Stories for Pleasure and Profit. Boston: The Writer, Inc.Google Scholar
Gerwig, George W. 1909. The Art of the Short Story. Akron, OH: The Werner Company.Google Scholar
Grabo, Carl H. 1913. The Art of the Short Story. New York: Charles Scribner’s Sons.Google Scholar
Hamilton, Clayton. 1918. A Manual of the Art of Fiction. Garden City, NY: Doubleday, Page, and Co.Google Scholar
Joseph, Michael. 1924. Short Story-Writing for Profit. Boston: Small, Maynard, and Company.Google Scholar
Kamerman, Sylvia E. 1946. Writing the Short Short Story. Boston: The Writer.Google Scholar
Louthan, Hattie Horner. 1930. The Short-Story Craftsman: The Rhetoric of Short Fiction. Denver: The World Press, Inc.Google Scholar
Mirrielees, Edith Ronald. 1929. Writing the Short Story. Garden City, NY: Doubleday, Doran and Co.Google Scholar
Neal, Robert Wilson. 1914. Short Stories in the Making. New York: Oxford University Press.Google Scholar
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Wells, Carolyn. 1913. The Technique of the Mystery Story. Springfield, MA: Home Correspondence School.Google Scholar
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Davies, Peter Ho. 2021. The Art of Revision: The Last Word. Minneapolis, MN: Graywolf Press.Google Scholar
DeMarinis, Rick. 2000. The Art and Craft of the Short Story. Cincinnati, OH: Story Press.Google Scholar
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  • Further Reading
  • Edited by Michael J. Collins, King's College London, Gavin Jones, Stanford University
  • Book: The Cambridge Companion to the American Short Story
  • Online publication: 11 May 2023
  • Chapter DOI: https://doi.org/10.1017/9781009292863.030
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  • Further Reading
  • Edited by Michael J. Collins, King's College London, Gavin Jones, Stanford University
  • Book: The Cambridge Companion to the American Short Story
  • Online publication: 11 May 2023
  • Chapter DOI: https://doi.org/10.1017/9781009292863.030
Available formats
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To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Further Reading
  • Edited by Michael J. Collins, King's College London, Gavin Jones, Stanford University
  • Book: The Cambridge Companion to the American Short Story
  • Online publication: 11 May 2023
  • Chapter DOI: https://doi.org/10.1017/9781009292863.030
Available formats
×