Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-dlnhk Total loading time: 0 Render date: 2024-11-29T13:23:36.454Z Has data issue: false hasContentIssue false

9 - The Bell Jar and other prose

from Part II - Works

Published online by Cambridge University Press:  28 August 2006

Jo Gill
Affiliation:
Bath Spa University
Get access

Summary

Perhaps because it is Plath's only published novel, The Bell Jar has assumed iconic significance in literary and popular culture. One might even say that The Bell Jar enjoys its own celebrity, having made cameo appearances in American films as different as 10 Things I Hate About You (1999) and Natural Born Killers (1994). In the first, the novel appears in the hands of the film's central character, Kat Stratford, a cynical, depressed and angry teenage feminist who, in one early scene, defends Plath's status within the literary canon against what she calls 'the oppressive, patriarchal values that dictate our education'. In the latter, the novel can be glimpsed lying face down on the bed next to a sleeping Mallory (née Wilson) Knox just moments before she and her boyfriend Mickey murder her abusive parents and subsequently set off on their cross-country murder spree. References to the novel - and to Plath more generally - are common in television as well, especially those shows that centre on young adult women, such as Freaks and Geeks and The Gilmore Girls. Nor are such cameos limited to Hollywood. The novels Sleepwalking by Meg Wolitzer and Seven Moves by Carol Anshaw both depict female characters who, as part of important plot developments within the stories, read The Bell Jar. Indeed, there is a certain variety of entertainment in which one just expects to encounter a young woman reading or referencing The Bell Jar. One would hardly be surprised to find The Bell Jar in the hands of Clare Fisher from the current HBO drama Six Feet Under or any of the central characters who plot female revenge in the film The Smokers (2000), to name just a couple of examples.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2006

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×