Book contents
- Frontmatter
- 1 What is a Shakespearean tragedy?
- 2 The language of tragedy
- 3 Tragedy in Shakespeare’s career
- 4 Shakespearean tragedy printed and performed
- 5 Religion and Shakespearean tragedy
- 6 Tragedy and political authority
- 7 Gender and family
- 8 The tragic subject and its passions
- 9 Tragedies of revenge and ambition
- 10 Shakespeare’s tragedies of love
- 11 Shakespeare’s classical tragedies
- 12 The critical reception of Shakespeare’s tragedies
- 13 Antony and Cleopatra in the theatre
- Select bibliography
- Index
- Series List
9 - Tragedies of revenge and ambition
Published online by Cambridge University Press: 28 May 2006
- Frontmatter
- 1 What is a Shakespearean tragedy?
- 2 The language of tragedy
- 3 Tragedy in Shakespeare’s career
- 4 Shakespearean tragedy printed and performed
- 5 Religion and Shakespearean tragedy
- 6 Tragedy and political authority
- 7 Gender and family
- 8 The tragic subject and its passions
- 9 Tragedies of revenge and ambition
- 10 Shakespeare’s tragedies of love
- 11 Shakespeare’s classical tragedies
- 12 The critical reception of Shakespeare’s tragedies
- 13 Antony and Cleopatra in the theatre
- Select bibliography
- Index
- Series List
Summary
Revenge and ambition, past and present
Revenge and ambition had meanings in Shakespeare's world significantly different from what they mean now. Yet we can still easily recognize them in Shakespeare's plays, allowing us both an emotional connection to the human past, and an intellectual perspective on it.
Shakespeare's brilliant contemporary, Francis Bacon, called revenge 'a kind of wild justice', and it must have been an important supplement to official justice in an era of very limited police powers and severely enforced social hierarchy. The Tudor monarchies made some progress in controlling lawlessness, but there must have been some basis for the persistent jokes about incompetent constables and watches in Elizabethan comedy. With so many crimes unsolved, so many criminals immune to punishment, and so many outrages (against women, the poor, and ethnic and religious minorities) not even considered crimes, it is hardly surprising that the public developed an appetite for revenge stories.
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- Chapter
- Information
- The Cambridge Companion to Shakespearean Tragedy , pp. 160 - 181Publisher: Cambridge University PressPrint publication year: 2003
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