The chapter discusses The Hollow Crown, a two-season television series, produced by Sam Mendes and broadcast on BBC2 in 2012 and 2016, placed in the context of earlier adaptations of the history plays. It argues that the series exemplifies a number of the central controversies surrounding contemporary Shakespeare adaptation, including political agendas, screen and stage traditions of acting and textual interpretation, together with the changing awareness of the viewing public of Shakespeare as a (high or pop) cultural phenomenon. The series also illustrates diverse responses to a number of critical debates, from the representation of female, non-English or non-British voices and accents, colour-blind or colour-conscious casting, set against the demands of historical realism expected from the contemporary screen. In this way, it offers a perfect case study for the Shakespearean history play on British television in the twenty-first century.