Book contents
- The Cambridge Companion to Romanticism and Race
- The Cambridge Companion to Romanticism and Race
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction
- Chapter 1 Burke and Kant on Color and Inheritance
- Chapter 2 Breathing Freedom in the Era of the Haitian Revolution
- Chapter 3 Afropessimism, Queer Negativity, and the Limits of Romanticism
- Chapter 4 Samuel Taylor Coleridge’s Racial Imaginary
- Chapter 5 (Not)freedom
- Chapter 6 Disability and Race
- Chapter 7 The Crip Foundations of Romantic Medicine
- Chapter 8 The Voice of Complaint
- Chapter 9 Romantic Manscapes
- Chapter 10 Romantic Poetry and Constructions of Indigeneity
- Chapter 11 Romanticism and the Novel(ty) of Race
- Chapter 12 Reading Race Along the “Bounding Line”
- Chapter 13 The Racecraft of Romantic Stagecraft
- Further Reading
- Index
- Cambridge Companions To Literature
Chapter 6 - Disability and Race
Published online by Cambridge University Press: 21 November 2024
- The Cambridge Companion to Romanticism and Race
- The Cambridge Companion to Romanticism and Race
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction
- Chapter 1 Burke and Kant on Color and Inheritance
- Chapter 2 Breathing Freedom in the Era of the Haitian Revolution
- Chapter 3 Afropessimism, Queer Negativity, and the Limits of Romanticism
- Chapter 4 Samuel Taylor Coleridge’s Racial Imaginary
- Chapter 5 (Not)freedom
- Chapter 6 Disability and Race
- Chapter 7 The Crip Foundations of Romantic Medicine
- Chapter 8 The Voice of Complaint
- Chapter 9 Romantic Manscapes
- Chapter 10 Romantic Poetry and Constructions of Indigeneity
- Chapter 11 Romanticism and the Novel(ty) of Race
- Chapter 12 Reading Race Along the “Bounding Line”
- Chapter 13 The Racecraft of Romantic Stagecraft
- Further Reading
- Index
- Cambridge Companions To Literature
Summary
Essaka Joshua discusses the relationship between disability and race, both where they intersect in literary and nonliterary discourses and, importantly, where they are deliberately opposed. For example, in the writing of the blind writer and staunch abolitionist Edward Rushton, the critique of racism hinges on the idea that racial prejudice derives from sightedness. Rushton thus serves as an important counterpoint to the more widely taught Edmund Burke, whose ableist assumptions about blindness in A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful undergird a belief in blackness and Black subjects as inherently terrifying.
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- The Cambridge Companion to Romanticism and Race , pp. 98 - 115Publisher: Cambridge University PressPrint publication year: 2024