Book contents
- The Cambridge Companion to Rhythm
- Cambridge Companions to Music
- The Cambridge Companion to Rhythm
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Notes on Contributors
- Acknowledgments
- Introduction
- Part I Overview of Rhythm
- Part II Performing Rhythm
- Part III Composing with Rhythm
- Part IV Rhythm in Jazz and Popular Music
- Part V Rhythm in Global Musics
- 13 The Musical Rhythm of Agbadza Songs
- 14 Rhythmic Thought and Practice in the Indian Subcontinent
- 15 The Draw of Balinese Rhythm
- 16 Rhythmic Structures in Latin American and Caribbean Music
- 17 Indigenous Rhythm and Dance in North and South America
- Part VI Epilogue
- Select Bibliography
- Index
13 - The Musical Rhythm of Agbadza Songs
from Part V - Rhythm in Global Musics
Published online by Cambridge University Press: 18 September 2020
- The Cambridge Companion to Rhythm
- Cambridge Companions to Music
- The Cambridge Companion to Rhythm
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Notes on Contributors
- Acknowledgments
- Introduction
- Part I Overview of Rhythm
- Part II Performing Rhythm
- Part III Composing with Rhythm
- Part IV Rhythm in Jazz and Popular Music
- Part V Rhythm in Global Musics
- 13 The Musical Rhythm of Agbadza Songs
- 14 Rhythmic Thought and Practice in the Indian Subcontinent
- 15 The Draw of Balinese Rhythm
- 16 Rhythmic Structures in Latin American and Caribbean Music
- 17 Indigenous Rhythm and Dance in North and South America
- Part VI Epilogue
- Select Bibliography
- Index
Summary
Agbadza is a genre of performance art that originated among the Ewe people (Ghana, Togo). The drumming features musical interactions between lead and response drums; in songs, poems are set to tunes that have a variety of call-and-response arrangements between several song leaders and a larger choral group. As discussed here, the rhythm of the vocal music contributes to the overall temporal vitality of an Agbadza performance.
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- Chapter
- Information
- The Cambridge Companion to Rhythm , pp. 217 - 240Publisher: Cambridge University PressPrint publication year: 2020
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