Book contents
- The Cambridge Companion to Percussion
- Cambridge Companions to Music
- The Cambridge Companion to Percussion
- Copyright page
- Contents
- Figures
- Music examples
- Contributors
- Book part
- Introduction
- Part One Orchestral percussion
- Part Two The development of percussion instruments
- Part Three Percussion in performance
- Part Four Composing music for percussion instruments
- 11 Finding a voice
- 12 Flexibility as a defining factor
- 13 Thoughts on percussion and rhythm
- Part Five Drum sets and drumming
- Part Six World percussion
- Part Seven Percussion and rhythm
- Select bibliography
- Index
12 - Flexibility as a defining factor
from Part Four - Composing music for percussion instruments
Published online by Cambridge University Press: 05 February 2016
- The Cambridge Companion to Percussion
- Cambridge Companions to Music
- The Cambridge Companion to Percussion
- Copyright page
- Contents
- Figures
- Music examples
- Contributors
- Book part
- Introduction
- Part One Orchestral percussion
- Part Two The development of percussion instruments
- Part Three Percussion in performance
- Part Four Composing music for percussion instruments
- 11 Finding a voice
- 12 Flexibility as a defining factor
- 13 Thoughts on percussion and rhythm
- Part Five Drum sets and drumming
- Part Six World percussion
- Part Seven Percussion and rhythm
- Select bibliography
- Index
Summary

- Type
- Chapter
- Information
- The Cambridge Companion to Percussion , pp. 168 - 172Publisher: Cambridge University PressPrint publication year: 2016