Arnbom, Marie-Theres, Clarke, Kevin and Trabitsch, Thomas, eds. Die Welt der Operette. Glamour, Stars und Showbusiness. Wien: Brandstätter, 2011.Google Scholar

Frey, Stefan. Laughter Under Tears. Emmerich Kálmán. An Operetta Biography. Culver City: Operetta Foundation, 2014.Google Scholar

Frey, Stefan. Was sagt ihr zu diesem Erfolg. Franz Lehár und die Unterhaltungsmusik des 20. Jahrhunderts. Leipzig; Frankfurt a. M.: Insel, 1999.Google Scholar

Platt, Len, Becker, Tobias and Linton, David, eds. Popular Musical Theatre in London and Berlin: 1890–1939. Cambridge: CambridgeUniversity Press, 2014.Google Scholar

Schweitzer, Marlis. When Broadway was the Runway: Theatre, Fashion, and American Culture. Philadelphia: University of Pennsylvania Press, 2009.Google Scholar

Traubner, Richard. Operetta: A Theatrical History. New York: Routledge, 2003.Google Scholar

Asenjo Barbieri, Francisco. La Zarzuela. Madrid: Ducazcal, 1864.Google Scholar

Casares Rodicio, Emilio, ed. Diccionario de la Zarzuela. 2 vols. Madrid: ICCMU, 2002 –3.Google Scholar

Emilio, Casares Rodicio. Francisco Asenjo Barbieri. Vol. 1: El hombre y el creador. Madrid: ICCMU, 1994.Google Scholar

Iberni, Luis G. Ruperto Chapí. Madrid: ICCMU, 1995.Google Scholar

Ignacio, Jassa Haro. ‘Con un vals en la maleta: viaje y aclimatación de la opereta europea en España’. In Rodicio, Emilio Casares, ed., Cuadernos de Música Iberoamericana. Vol. 20. Madrid: ICCMU, 2010.Google Scholar

Lamb, Andrew and Webber, Christopher. ‘De Madrid a Londres: Pablo Luna’s English Operetta, The First Kiss’. 2016. www.academia.edu/26447008 (accessed 12 Apr. 2019).Google Scholar

Mario, Lerena. El teatro musical de Pablo Sorozábal (1897–1988). Bilbao: Universidaddel Pais Vasco, 2018.Google Scholar

Enrique, Mejías García. ‘Cuestión de géneros: la zarzuela española frente al desafío historiográfico’. In Brandenberger, Tobias, ed., Dimensiones y desafíos de la zarzuela. Münster: LIT Verlag, 2014.Google Scholar

Versteeg, Margot. De Fusiladores y Morcilleros (El discurso cómico del género chico, 1870–1910). Amsterdam: Rodopi, 2000.Google Scholar

Webber, Christopher. ‘The alcalde, the negro and ‘la bribona’: ‘género ínfimo’ zarzuela, 1900–1910’. In Doppelbauer, Max and Sartingen, Kathrin, eds., De la zarzuela al cine. Los medios de comunicación populares y su traducción de la voz marginal. Munich: Martin Meidenbauer, 2009.Google Scholar

Webber, Christopher. The Zarzuela Companion. Maryland: Scarecrow Press, 2002.Google Scholar

Webber, Christopher, ed. zarzuela.net. www.zarzuela.net, 1997–2017.CrossRefGoogle Scholar

Young, Clinton D. Music Theater and Popular Nationalism in Spain, 1880–1930. Baton Rouge: Louisiana State University Press, 2016.Google Scholar

Gerald, Bordman. American Operetta: From H.M.S. Pinafore to Sweeney Todd. New York: Oxford University Press, 1981.Google Scholar

Todd, Decker. Show Boat: Performing Race in an American Musical. New York: Oxford University Press, 2013.Google Scholar

David, Eden and Meinhard, Saremba, eds. The Cambridge Companion to Gilbert and Sullivan. Cambridge: Cambridge University Press, 2009.Google Scholar

Robert, Fink. ‘Rhythm and Text Setting in The Mikado’. 19th-Century Music, 14 (1990): 31–47.Google Scholar

Raymond, Knapp. The American Musical and the Formation of National Identity. Princeton, NJ: Princeton University Press, 2005.Google Scholar

Larry, Stempel. Showtime: A History of the Broadway Musical Theater. New York: W. W. Norton, 2010.Google Scholar

Murray, Frame. ‘The Early Reception of Operetta in Russian, 1860s–1870s’, European History Quarterly, 42, no. 1 (2012): 29–49.Google Scholar

Richard, Stites. Russian Popular Culture: Entertainment and Society since 1900. Cambridge: Cambridge University Press, 1992.Google Scholar

Anker, Öyvind. Fullstendig registrant over forestellinger, forfattare, oversettere og komponister. Sesongregister. / The Repertoire of Christiania Theatre 1827–1899. A Complete Record of Performances, Authors, Translators and Composers. Index to Seasons. Oslo: Gyldendal Norsk Forlag, 1956.Google Scholar

Tomas, Forser and Åke Heed, Sven, eds. Ny svensk teaterhistoria. Vol. 2: 1800-talets teater. Stockholm: Gidlunds förlag, 2007.Google Scholar

Tomas, Forser and Åke Heed, Sven, eds. Ny svensk teaterhistoria. Vol. 3: 1900-talets teater. Stockholm: Gidlunds förlag, 2007.Google Scholar

Heed, Sven Åke. ‘Operett och musikal’. In Forser, Tomas and Heed, Sven Åke, eds., Ny svensk teaterhistoria. 3. 1900-talets teater. Stockholm: Gidlunds förlag. 2007, 258–84.Google Scholar

Hirn, Sven. Operett i Finland 1860–1918. Svenska Litteratursällskapet i Finland. Helsinki: SLS, 1992.Google Scholar

Hoogland, Rikhard, ed. I avantgardets skugga. Brytpunkter och kontinuitet i svensk teater kring 1900. LIR skrifter. [gupea.ub.gu.se] 2019.Google Scholar

Kela, Kvam, Risum, Janne and Wiingaard, Jytte, eds. Dansk teaterhistorie. 2 vols. Copenhagen: Gyldendal, 1992–3.Google Scholar

Ulla-Britta, Lagerroth and Nordin Hennel, Ingeborg, eds. Ny svensk teaterhistoria. Vol. 2: 1800-talets teater. Stockholm: Gidlunds förlag, 2007.Google Scholar

Robert Ignatius, Letellier. Operetta: A Sourcebook. Vol. 1. Newcastle upon Tyne:Cambridge Scholars Publishing, 2015.Google Scholar

McConachie, Bruce. Melodramatic Formations: American Theatre and Society, 1820–1870. Studies in Theatre, History and Culture. Iowa City: University of Iowa Press, 1992.CrossRefGoogle Scholar

Myggan Ericson, Uno, ed. Myggans Nöjeslexikon: ett uppslagsverk om underhållning. Stockholm: Bokförlaget Bra Böcker, 1992.Google Scholar

Niska, Adolf. Mitt livs mazurka med Thalia. Äventyr i olika länder. Stockholm: Albert Bonniers Förlag, 1931.Google Scholar

Norlander, Emil. 1918. Det glada Stockholm. Från tingel-tangeln till den moderna kabareten. Tionde Don Basuno-boken. Stockholm: Åhlén & Åkerlunds förlag a.b.Google Scholar

Nyblom, Teddy. Operetten på Oscars. Från Albert Ranft till Anders Sandrew. 1906–1956. Stockholm: Fridmans bokförlag, 1956.Google Scholar

Paavolainen, Pentti. ‘Two Operas or One – or None. Crucial Moments in the Competition of Operatic Audiences in Helsinki in the 1870s’. In Anne Sivuoja, Owe Ander, Ulla-Britta Broman-Kananen and Jens Hesselager, eds., Opera on the Move in the Nordic Countries during the Long 19th Century. Docmus Research Publications 4. Helsinki: Sibelius-Academy, 2012.Google Scholar

Qvamme, Børre. Musikkliv I Christiania. Fra Arilds tid til Arild Sandvold. Oslo: Solum Forlag, 2000.Google Scholar

Qvamme, Børre. Opera og operette i Kristiania. Oslo: Solum Forlag, 2004.Google Scholar

Ranft, Albert. Min Repertoir 1892–1921. Stockholm: P. A. Norstedt & Söners Förlag, 1921.Google Scholar

Rosenqvist, Claes. ‘En ny tids teaterkung’. In Ulla-Britta Lagerroth and Ingeborg Nordin Hennel, eds., Ny svensk teaterhistoria. Vol. 2: 1800-talets teater. Stockholm: Gidlunds förlag, 2007, 338–52.Google Scholar

Wolff, Charlotta. ‘Opéra-comique, Cultural Polities and Identity in Scandinavia 1760–1800’, Scandinavian Journal of History, 43, no. 3 (2018): 387–409.Google Scholar

Laskaris, Nikolaos I. Historia tou neohellenikou theatrou / History of Modern Greek Theatre, Vol. 1. Athens: M. Vassiliou, 1938–9.Google Scholar

Tsakasianos, Ioannis. Theatrika erga. Apo to komeidyllio sto melodrama / Theatre Plays. From Comic Idyll to Music Theatre 1876–1898, ed. Georgia Kokla-Papadatou. Zante: Public Historical Library of Zante, 2008.Google Scholar

Raptis, Michalis A. Epitomi historia tou Hellinikou Melodramatos kai tis Ethnikis Lyrikis Skinis 1888–1988 / A Concise History of Greek Melodrama and Greek National Opera. Athens: Ktimatiki Trapeza, 1989.Google Scholar

Seiragakis, Manolis. To elafro mousiko theatro sti mesopolemiki Athina / The Light Music Theatre in Interwar Athens, 2 vols. Athens: Kastaniotis, 2009.Google Scholar

Xepapadakou, Avra. ‘Idolatry and Sacrilege: Offenbach’s Operetta in Nineteenth-century Athens’, Studies in Musical Theatre, 8, no. 2 (2014): 129–41.Google Scholar

Xepapadakou, Avra. ‘European Itinerant Opera and Operetta Companies Touring in the Near and Middle East’. In Strohm, Reinhard, ed., The Music Road, Coherence and Diversity in Music from the Mediterranean to India. Oxford: Oxford University Press, 2019, 316–31.Google Scholar