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Part II - Encounters

Published online by Cambridge University Press:  14 November 2024

Edited by
Amanda Harris  and
Clint Bracknell
Amanda Harris
Affiliation:
University of Sydney
Clint Bracknell
Affiliation:
University of Western Australia
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The Cambridge Companion to Music in Australia , pp. 91 - 170
Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Bashford, A. and MacIntyre, S., The Cambridge History of Australia (Cambridge: Cambridge University Press, 2013).CrossRefGoogle Scholar
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Murphy, K., ‘Choral Concert Life in the Late Nineteenth-Century “Metropolis of the Southern Hemisphere”’, Nineteenth-Century Music Review, 2(2) (2005), https://doi.org/10.1017/S1479409800002172.CrossRefGoogle Scholar
Teo, H-M. and White, R. (eds.), Cultural History in Australia (Sydney: UNSW Press, 2003).Google Scholar
Waterhouse, R., Private Pleasures, Public Leisure: A History of Australian Popular Culture since 1788 (Melbourne: Longman, 1995).Google Scholar
Watt, P., ‘Buskers and Busking in Australia in the Nineteenth Century’, Musicology Australia, 41(1) (2019), https://doi.org/10.1080/08145857.2019.1621437.CrossRefGoogle Scholar
Young, L., Middle-Class Culture in the Nineteenth Century: America, Australia and Britain (London: Palgrave Macmillan, 2003).CrossRefGoogle Scholar

Further Reading

Carter, D., Always Almost Modern: Australian Print Cultures and Modernity (Melbourne: Australian Scholarly Publishing, 2013).Google Scholar
Carter, D., ‘“How It Strikes a Contemporary”: Modernism and Modernity in Australia, 1920s–1930s’, Pacific and American Studies, 18 (2018), 85–79.Google Scholar
Collins, D., Sounds from the Stables: The Story of Sydney’s Conservatorium (Sydney: Allen & Unwin, 2001).Google Scholar
Crews, R. and J. Carrigan, , Breaking the Drought: Roy Agnew: Composer, Pianist, Teacher (Wollongong: Wirripang, 2022).Google Scholar
Huyssen, A., ‘Geographies of Modernism in a Globalizing World’, New German Critique, 100 (2007), 189–207.Google Scholar
Russoniello, J., ‘A History in Blue Pencil: Cyril Monk’s Performance Annotations and a Bygone Musical Style’, Musicology Australia, 44 (2022), 79–103.CrossRefGoogle Scholar
Simmonds, A., A. Rees, and A. Clark, (eds.), Transnationalism, Nationalism and Australian History (Singapore: Springer, 2017).Google Scholar
Wollaeger, M. and M. Eatough, (eds.), The Oxford Handbook of Global Modernisms (New York: Oxford University Press, 2012).CrossRefGoogle Scholar

Further Reading

Beckett, J., ‘I Don’t Care Who Knows: The Songs of Dougie Young’, Australian Aboriginal Studies, 2 (1993), 34–8.Google Scholar
Carlson, B., ‘Striking the Right Chord: Indigenous People and the Love of Country’, AlterNative, 12(5) (2016), 498–512.Google Scholar
Jones, M. A., ‘Playing Bluegrass in Australia across Country and Folk Scenes’, Perfect Beat, 18(2) (2017), 131–53.CrossRefGoogle Scholar
Martin, T., Yodelling Boundary Riders: Country Music in Australia since the 1920s (Melbourne: Lyrebird Press, 2015).Google Scholar
Smith, G., Singing Australian: A History of Folk and Country Music (London: Pluto Press, 2005).Google Scholar
Walker, C., Buried Country: The Story of Aborginal Country Music (Sydney: Pluto Press, 2000).Google Scholar

Further Reading

Arrow, M., Friday on Our Minds (Sydney: UNSW Press, 2009).Google Scholar
Byron, T. and O’Regan, J., Hooks in Popular Music (Cham: Palgrave Macmillan, 2022).CrossRefGoogle Scholar
Collins, S. and O’Grady, P., ‘Off the Charts: The Implications of Incorporating Streaming Data into the Charts’ in R. Nowak, and A.Whelan, (eds.), Networked Music Cultures: Contemporary Approaches, Emerging Issues (Cham: Palgrave Macmillan, 2016), pp. 151–69.Google Scholar
Covach, J. and Flory, A., What’s That Sound? An Introduction to Rock and Its History, 5th ed. (New York: W. W. Norton and Company, 2018).Google Scholar
Giuffre, L., ‘You Were Watching Video Hits: The End of an Era for Australian Music Television’ in Giuffre, L. and Spirou, P. (eds.), Routes, Roots and Routines: Selected Papers from the 2011 Australia/New Zealand IASPM Conference (Sydney: Macquarie University, 2012), pp. 102–10.Google Scholar
Hakanen, E. A., ‘Counting Down to Number One: The Evolution of the Meaning of the Popular Music Charts’, Popular Music, 17(1) (1998), 95–111.CrossRefGoogle Scholar
Huber, A., ‘Making Time Stand Still: How to “Fix” the Transient Top 40’, International Journal of Cultural Studies, 13(2) (2010), 147–62.CrossRefGoogle Scholar
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Ordanini, A., Nunes, J. C. and Nanni, A., ‘The Featuring Phenomenon in Music: How Combining Artists of Different Genres Increases a Song’s Popularity’, Marketing Letters, 29 (2018), 486, https://doi.org/10.1007/s11002-018-9476-3.CrossRefGoogle Scholar
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Stratton, J., ‘Nation Building and Australian Popular Music in the 1970s and 1980s’, Continuum, 20(2) (2006), 246, https://doi.org/10.1080/10304310600641778.CrossRefGoogle Scholar

Further Reading

Barton, R. and Barton, G., ‘Storytelling as an Arts Literacy: Use of Narrative Structure in Aboriginal Arts Practice and Performance’ in Barton, G. (ed.) Literacy in the Arts (Cham: Springer, 2014), https://doi.org/10.1007/978-3-319-04846-8_15.CrossRefGoogle Scholar
Duffy, M. and Waitt, G. R., ‘Sound Diaries: A Method of Listening to Place’, Aether, 7 (2011), 119–36.Google Scholar
Knopoff, S., ‘Indigenous and Non-Indigenous Collaboration in New Orchestral Music: Two Notable Successes from the Adelaide Festival of Arts’ in Plush, V., Schippers, H. and Wolfe, J. (eds.), Encounters: Meetings in Australian Music: Essays, Images, Interviews (South Brisbane: Queensland Conservatorium Research Centre, 2005), 44–6.Google Scholar
Neuenfeldt, K. (ed.), The Didjeridu: From Arnhem Land to Internet (Sydney: J. Libbey/Perfect Beat Publications, 1997).Google Scholar

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  • Encounters
  • Edited by Amanda Harris, University of Sydney, Clint Bracknell, University of Western Australia
  • Book: The Cambridge Companion to Music in Australia
  • Online publication: 14 November 2024
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  • Encounters
  • Edited by Amanda Harris, University of Sydney, Clint Bracknell, University of Western Australia
  • Book: The Cambridge Companion to Music in Australia
  • Online publication: 14 November 2024
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Encounters
  • Edited by Amanda Harris, University of Sydney, Clint Bracknell, University of Western Australia
  • Book: The Cambridge Companion to Music in Australia
  • Online publication: 14 November 2024
Available formats
×