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Part I - Continuities

Published online by Cambridge University Press:  14 November 2024

Amanda Harris
Affiliation:
University of Sydney
Clint Bracknell
Affiliation:
University of Western Australia
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Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Corn, A., Reflections and Voices: Exploring the Music of Yothu Yindi with Mandawuy Yunupiŋu (Sydney: Sydney University Press, 2009).CrossRefGoogle Scholar
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Further Reading

Costigan, L. and Neuenfeldt, K., ‘Negotiating and Enacting Musical Innovation and Continuity: How Some Torres Strait Islander Song Writers Are Incorporating Traditional Dance Chants within Contemporary Songs’, The Asia-Pacific Journal of Anthropology, 5 (2004), 113–28.Google Scholar
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Neuenfeldt, K., ‘“Ailan Style”: An Overview of the Contemporary Music of Torres Strait Islanders’ in Mitchell, T. and Homan, S. (eds.), Sounds of Then, Sounds of Now: Australian Popular Music (Hobart: Australian Clearing House for Youth Studies, 2008), pp. 167–80.Google Scholar
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Further Reading

Barney, K. (ed.), Musical Collaboration between Indigenous and Non-Indigenous People in Australia (New York: Routledge, 2022).CrossRefGoogle Scholar
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Further Reading

Bollen, J. and Brewster, A., ‘NADOC and the National Aborigines Day in Sydney, 1957–67’, Aboriginal History, 42 (2018).CrossRefGoogle Scholar
Carmody, T., ‘Missing Paul Robeson in East Berlin: The Spirituals and the Empty Archive’, Cultural Critique, 88 (2014), 127.CrossRefGoogle Scholar
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Egan, B., African American Entertainers in Australia: A History, 17881941 (Jefferson, NC: McFarland and Co, 2020).Google Scholar
Graber, K. J., ‘“A Strange, Weird Effect”: The Fisk Jubilee Singers in the United States and England’, American Music Research Journal, 14 (2004), 27–52.Google Scholar
Webb, M., ‘Gospel Hymnody and the Nascence of Australian South Sea Islander Communal Identity, 1880s–1920s’, Lucas: An Evangelical History Review, 2(19) (2022), 51–73.Google Scholar

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