Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-06T00:59:47.246Z Has data issue: false hasContentIssue false

7 - Music and Technology

from Part II - Worlds

Published online by Cambridge University Press:  06 August 2021

Benedict Taylor
Affiliation:
University of Edinburgh
Get access

Summary

Romantic music has often been seen as an exploration of ideal, disembodied realms of spirit and feeling. It has also been presented as a consolation against the violent changes, profound uncertainties, and fierce social tensions of industrial modernity. Yet technical inventions and adaptions, such as new and improved instruments and new lighting and staging techniques, were at the heart of many of the defining characteristics of Romantic music: these included the sense of wild, dangerous, creative energies in both nature and human arts, the exploration of the most exalted and sombre of human emotions and states, restless formal invention, and appeals to both the intimacy of the individual soul and to vast audiences. Romantic music was bound up with industrialisation, urbanisation, and imperial expansion. Through its dependence on technology, and its ability to reflect upon technology’s consequences, Romantic music was an exemplary manifestation of its age.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Davies, James Q., and Lockhart, Ellen (eds.). Sound Knowledge: Music and Science in London, 1789–1851 (Chicago: University of Chicago Press, 2016).Google Scholar
Dolan, Emily. The Orchestral Revolution: Haydn and the Technologies of Timbre (Cambridge: Cambridge University Press, 2013).Google Scholar
Dolan, Emily I., and Tresch, John. ‘A Sublime Invasion: Meyerbeer, Balzac, and the Opera Machine’, The Opera Quarterly, 27/1 (2011), 431.Google Scholar
Henson, Karen (ed.). Technology and the Diva: Sopranos, Opera, and Media from Romanticism to the Digital Age (Cambridge: Cambridge University Press, 2016).Google Scholar
Hibberd, Sarah (ed.). 19th-Century Music, 39/2 (2015), special issue: ‘Music and Science in London and Paris’.Google Scholar
Hibberd, Sarah. ‘Le Naufrage de la Méduse and operatic spectacle in 1830s Paris’, 19th-Century Music, 36/3 (2013), 248–63.CrossRefGoogle Scholar
Hui, Alexandra, Kursell, Julia, and Jackson, Myles W. (eds.). Music, Sound, and the Laboratory from 1750–1980, Osiris, 28/1 (2013).Google Scholar
Kreuzer, Gundula. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (Berkeley: University of California Press, 2018).CrossRefGoogle Scholar
Loughridge, Deirdre. Haydn’s Sunrise, Beethoven’s Shadow: Audiovisual Culture and the Emergence of Musical Romanticism (Chicago: University of Chicago Press, 2016).Google Scholar
Müller-Sievers, Helmut. The Cylinder: Kinematics of the Nineteenth Century (Berkeley: University of California Press, 2012).Google Scholar
Tresch, John. The Romantic Machine: Utopian Science and Technology after Napoleon (Chicago: University of Chicago Press, 2012).Google Scholar
Trippett, David, and Walton, Benjamin (eds.). Nineteenth-Century Opera and the Scientific Imagination (Cambridge: Cambridge University Press, 2019).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×