Book contents
- Frontmatter
- Introducing modern Italian culture
- 1 The notion of Italy
- 2 Social and political cultures in Italy from 1860 to the present day
- 3 Questions of language
- 4 Intellectuals, culture and power in modern Italy
- 5 Catholicism
- 6 Socialism, Communism and other ‘isms’
- 7 Other voices: contesting the status quo
- 8 Narratives of self and society
- 9 Searching for new languages: modern Italian poetry
- 10 Drama: realism, identity and reality on stage
- 11 Italian cinema
- 12 Art in modern Italy: from the Macchiaioli to the Transavanguardia
- 13 A modern identity for a new nation: design in Italy since 1860
- 14 Fashion: narration and nation
- 15 The media
- 16 Since Verdi: Italian serious music 1860-1995
- 17 Folk music and popular song from the nineteenth century to the 1990s
- 18 Epilogue: Italian culture or multiculture in the new millennium?
- Index
- Series List
18 - Epilogue: Italian culture or multiculture in the new millennium?
Published online by Cambridge University Press: 28 May 2006
- Frontmatter
- Introducing modern Italian culture
- 1 The notion of Italy
- 2 Social and political cultures in Italy from 1860 to the present day
- 3 Questions of language
- 4 Intellectuals, culture and power in modern Italy
- 5 Catholicism
- 6 Socialism, Communism and other ‘isms’
- 7 Other voices: contesting the status quo
- 8 Narratives of self and society
- 9 Searching for new languages: modern Italian poetry
- 10 Drama: realism, identity and reality on stage
- 11 Italian cinema
- 12 Art in modern Italy: from the Macchiaioli to the Transavanguardia
- 13 A modern identity for a new nation: design in Italy since 1860
- 14 Fashion: narration and nation
- 15 The media
- 16 Since Verdi: Italian serious music 1860-1995
- 17 Folk music and popular song from the nineteenth century to the 1990s
- 18 Epilogue: Italian culture or multiculture in the new millennium?
- Index
- Series List
Summary
On the threshold of the new millennium, as Italy prepares to play an ever more active part in the European Union, it is not inappropriate that students of Italian culture should ask: 'What is contemporary Italian national identity, and what will the adjective “Italian” mean in the future?' The essays in this volume have primarily looked back over cultural developments in post-unification Italy from the perspective of late twentieth-century contemporaneity. They have also occasionally sought to make conjectures about possible future developments. In this brief epilogue, my focus will be on the present and the future, a prospective stance reflective of some of the collection's general aims, and conditioned of course by current realities. The question of what 'Italian' now signifies, and what the adjective may well encompass in future years implicitly or explicitly informs all that follows.
Italy was belatedly born as a nation under the sign of a constructed political and linguistic unity. Unification has always been more a dream than a reality, however, in spite of the many efforts over the last century to bring about national unity. Historically, Italian society and culture have been fragmented, and today there is an increasing, and new, fragmentation under pressure from both internal and external forces. Among these forces are greatly increased immigration, mainly from socalled developing countries, the revival of regionalism and widespread Americanization.
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- Chapter
- Information
- The Cambridge Companion to Modern Italian Culture , pp. 337 - 346Publisher: Cambridge University PressPrint publication year: 2001
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