Book contents
- Frontmatter
- 1 Introduction: What, then, is the American?
- 2 The American century
- 3 The regions and regionalism
- 4 Immigration to the United States in the twentieth century
- 5 Religion in the United States in the twentieth century: 1900-1960
- 6 Shifting boundaries: religion and the United States: 1960 to the present
- 7 The Hispanic background of the United States
- 8 African Americans since 1900
- 9 Asian Americans
- 10 Women in the twentieth century
- 11 Queer America
- 12 The United States, war, and the twentieth century
- 13 The culture of the Cold War
- 14 Secret America: the CIA and American culture
- 15 Vietnam and the 1960s
- 16 New York City and the struggle of the modern
- 17 Music: sound: technology
- 18 African American music of the twentieth century
- 19 Hollywood cinema
- 20 Popular culture
- 21 Theatre
- 22 Society and the novel in twentieth-century America
- 23 “Preferring the wrong way”: mapping the ethical diversity of US twentieth-century poetry
- Index
- Series List
8 - African Americans since 1900
Published online by Cambridge University Press: 28 January 2007
- Frontmatter
- 1 Introduction: What, then, is the American?
- 2 The American century
- 3 The regions and regionalism
- 4 Immigration to the United States in the twentieth century
- 5 Religion in the United States in the twentieth century: 1900-1960
- 6 Shifting boundaries: religion and the United States: 1960 to the present
- 7 The Hispanic background of the United States
- 8 African Americans since 1900
- 9 Asian Americans
- 10 Women in the twentieth century
- 11 Queer America
- 12 The United States, war, and the twentieth century
- 13 The culture of the Cold War
- 14 Secret America: the CIA and American culture
- 15 Vietnam and the 1960s
- 16 New York City and the struggle of the modern
- 17 Music: sound: technology
- 18 African American music of the twentieth century
- 19 Hollywood cinema
- 20 Popular culture
- 21 Theatre
- 22 Society and the novel in twentieth-century America
- 23 “Preferring the wrong way”: mapping the ethical diversity of US twentieth-century poetry
- Index
- Series List
Summary
A new Negro for a new century
About half of the nearly ten million African Americans living in 1900 had been born during the slavery period, and while slavery had not yet receded into the distant past, it seemed important to the former slaves and their descendants to stress the distance they had traveled from that past. Only forty years earlier, the overwhelming majority of black Americans - more than 85 percent - had belonged to and could be bought and sold by white owners, a deep-seated contradiction in one of the world's oldest democracies with a founding document that declared that “all men are created equal.” “Natally alienated” (to use Orlando Patterson's term), slaves were forced to perform unpaid labor, without any civil status that would guarantee them even such basic human rights as the right to marry, to raise their own children, or to learn how to read and write. Slavery was, and remained for a long time, a haunting and troubling memory, a scar of shame. Emancipation, which seemed like a rebirth from a state of social death, was indeed a “resurrection” from the tomb, as Frederick Douglass's famous slave narrative had represented his own transformation from the status of a slave to that of a self-freed man.
- Type
- Chapter
- Information
- The Cambridge Companion to Modern American Culture , pp. 153 - 173Publisher: Cambridge University PressPrint publication year: 2006