Book contents
- The Cambridge Companion to Literature in a Digital Age
- The Cambridge Companion to Literature in a Digital Age
- Copyright page
- Contents
- Figures
- Contributors
- Chronology
- Introduction
- Chapter 1 Literary Data
- Chapter 2 Literary Change
- Chapter 3 The Canon
- Chapter 4 Voice and Performance
- Chapter 5 The Archive
- Chapter 6 Editions
- Chapter 7 Materiality
- Chapter 8 The Literary Marketplace
- Chapter 9 Fanfiction, Digital Platforms, and Social Reading
- Chapter 10 Narrative and Interactivity
- Chapter 11 Generated Literature
- Chapter 12 Literary Gaming
- Chapter 13 The Printed Book in the Digital Age
- Chapter 14 Literature’s Audioptic Platform
- Chapter 15 Critique
- Index
- Cambridge Companions To Literature
Chapter 6 - Editions
Published online by Cambridge University Press: aN Invalid Date NaN
- The Cambridge Companion to Literature in a Digital Age
- The Cambridge Companion to Literature in a Digital Age
- Copyright page
- Contents
- Figures
- Contributors
- Chronology
- Introduction
- Chapter 1 Literary Data
- Chapter 2 Literary Change
- Chapter 3 The Canon
- Chapter 4 Voice and Performance
- Chapter 5 The Archive
- Chapter 6 Editions
- Chapter 7 Materiality
- Chapter 8 The Literary Marketplace
- Chapter 9 Fanfiction, Digital Platforms, and Social Reading
- Chapter 10 Narrative and Interactivity
- Chapter 11 Generated Literature
- Chapter 12 Literary Gaming
- Chapter 13 The Printed Book in the Digital Age
- Chapter 14 Literature’s Audioptic Platform
- Chapter 15 Critique
- Index
- Cambridge Companions To Literature
Summary
This chapter positions digital editions within a broader and longer tradition of textual scholarship, book history, and scholarly editions. In it we consider the spatial, conceptual, and methodological approaches to editorial practice used in print editions and show the ways in which digital scholarly editions both extend and remake existing editorial paradigms and practices. In particular, we consider three elements of digital editions: networked structures, interactive reading, and multimodality. Throughout the chapter we consider both the potential and the ongoing challenges of making and using digital editions.
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- The Cambridge Companion to Literature in a Digital Age , pp. 107 - 124Publisher: Cambridge University PressPrint publication year: 2024